A Quote by John Elkington

I'm part of the consumer culture. I was part of the baby boom generation. I have a car when I shouldn't, a couple of computers; I can't be anti-consumerist in that sense.
China has its own Baby Boom generation. And China's baby boom generation, because of the size of China itself, is the world's largest baby boom generation.
I'm part of the consumer culture... I'm just using the space I am given to express something that is out of the space so I'm part of the consumer system but I'm advocating stepping out. Which is a contradiction but I could be part of he consumer system and say, 'let's consume even more.'
'Animal House' was sort of the first real, contemporary, youthful voice of the baby boom generation. It spoke to that audience, and it spoke to that part of me which was saying, 'Out with the old, in with the new.'
In every generation there are voices that question the authority of Scripture. So in one sense this is merely part of the continuing stream. But there's a sense in which the questions that are raised against Scripture vary a wee bit from generation to generation.
The Baby Boom has spawned an even bigger Grandma Boom. For every baby born, two women turn into grandmas.
My generation had to be taken seriously because we were stopping things and burning things. We were able to initiate change, because we had such vast numbers. We were part of the baby boom, and when we moved, everything moved with us.
The idea of the archetypal nerd is totally blurred these days. So many people of this current generation have grown up with technology and video games. It's just a part of the world now, a part of our shared culture.
One part of love is innocence One part of love is guilt One part the milk that in a sense Is soured as soon as spilt One part of love is sentiment One part of love is lust One part is the presentiment Of our return to dust
Many teachers of the Sixties generation said "We will steal your children", and they did. A significant part of America has converted to the ideas of the 1960s - hedonism, self-indulgence and consumerism. For half of all Americans today, the Woodstock culture of the Sixties is the culture they grew up with - their traditional culture. For them, Judeo-Christian culture is outside the mainstream now. The counter-culture has become the dominant culture, and the former culture a dissident culture - something that is far out, and 'extreme'.
I showed up in October 1946, part of an early surge that would become a great nationwide baby boom. My sister Kathy was born a year later.
Song writing is about the male-female relationship. Yes, there are songs of, of brotherhood and politics but very rarely do we write about computers or, there are car songs, cars are cool. But even in the car songs, it's, ah, usually gets down to me and my baby and my car.
Baby boomers helped me a great deal in my career. They launched me. They were there for me to sing my song to. And I'm not saying I'm better than anyone, but I think they turned that anti-authority baby boom mentality into their own enemy. Now I identify very closely with their children.
The car culture is part of living in Detroit.
'Goodnight Moon' is a staple of any nursery bookshelf. So, too, are 'Harold and the Purple Crayon' and 'Madeline.' These books are just as much a part of mainstream reading culture as 'The Catcher in the Rye,' and they are passed down from generation to generation.
Historians constantly rewrite history, reinterpreting (reorganizing) the records of the past. So, too, when the brain's coherent responses become part of a memory, they are organized anew as part of the structure of consciousness. What makes them memories is that they become part of that structure and thus form part of the sense of self; my sense of self derives from a certainty that my experiences refer back to me, the individual who is having them. Hence the sense of the past, of history, of memory, is in part the creation of the self.
I feel myself part of something. Not only being part of a community but part of an actual moment and a movement of Irish writing and art. That sense of being part of the whole thing is the deepest joy.
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