A Quote by John Entwistle

With bass, especially bottom end, the vibration has to happen on stage otherwise the feel is wrong. This is why you can't scale the equipment down too far. — © John Entwistle
With bass, especially bottom end, the vibration has to happen on stage otherwise the feel is wrong. This is why you can't scale the equipment down too far.
I can feel how an audience is reacting when I'm on a stage, but when you are on stage, your perception is distorted. That's something you just have to know. It's like pilots that fly at high Gs and they lose, sometimes, consciousness and hand/eye coordination and they just have to know that that's going to happen. They have to be trained to not try to do too much while they are doing that. So when you are on stage, you have to be aware that you are wrong about how it feels a lot of times.
Affirmations are wonderful because it is much better to speak positively than to speak negatively. But the universe is not responding to your words; it responds to your vibration, and your vibration is being indicated to you by the way you feel. If you don’t believe what you are saying, your vibration hasn’t shifted, so nothing changes for you. The key to affirmations is to work yourself into a place where you really feel it. We have never talked about this before anywhere, but a very good application of an affirmation would be to affirm your way up the emotional scale. Start with an affirmation of where you are emotionally, then keep reaching for a better feeling thought.
It was possibly the most circumspect advance in the history of military maneuvers, right down at the bottom end of the scale that things like the Charge of the Light Brigade are at the top of.
There has to be an interaction of musicians on stage. Otherwise I feel too alone up there. When performing is really good, when it really works, maybe once every 15 shows, it's very special, and you realize that's why you do it.
In singing, there's a vibration that comes from deep down inside, literally from your sex. When you put out that vibration, people can feel it. Billie Holiday does it. Peggy Lee does it. It's very hot.
I feel like Hollywood would rather end the emerging, bottom-up creative culture than let it happen.
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I often use a return channel to get some shape out of the bass. It's a good way to split the frequencies of the bass so that the sub bass is clean and in mono and the higher end of the bass sound can be filtered off - have it on an audio channel and that's where you can use effects.
Deep down, underneath all his layers of stupidity, he’s a really good man. He may act out far too many selfish thoughts, says all the wrong things at all the wrong times, but behind closed doors he’s a best friend. I understand that he has idiotic tendencies and I can still love him for it. He may not be someone that you feel comfortable sitting next to at a dinner party but for me, he’s someone that I feel comfortable sharing my life with.
I can understand why some of these drummers and bass players become cult figures with all of their equipment and the incredible amount of technique they have. But there's very little that I think satisfies you intellectually or emotionally.
I don't look at my instrument as having one specific role; I was raised to go as far as you can. But Raphael Saadiq hated my bass. He told me to throw it away. And playing in Snoop's band, there was a time when my bass was more annoying to everyone than helpful. They would get on my case: 'Can you make your bass sound like more of a bass?'
The bottom line is down where it belongs – at the bottom. Far above it in importance are the infinite number of events that produce the profit or loss.
Four Lessons on Life 1. Never take down a fence until you know why it was put up. 2. If you get too far ahead of the army, your soldiers may mistake you for the enemy. 3. Don't complain about the bottom rungs of the ladder; they helped to get you higher. 4. If you want to enjoy the rainbow, be prepared to endure the storm.
Hip-hop was a big part of my life growing up, especially West Coast gangster rap. The reason I was able to listen to it so freely was that my mom couldn't hear any of it, so we would be driving along just blaring Too $hort's horrible misogynistic stuff, and my mom would just turn to us and say, "This is great. I can feel the bass. It sounds so nice." And we're like, "Yeah, mom. We can feel the bass, too."
As actors you're always afraid to go too far but Lasse Hallstrom wants you to go too far. He wants you to do it wrong, to be over-the-top, and that's so freeing to be able to think 'Now I can try and be bad'. There's no pressure on you and you don't feel you can make a mistake.
The stage is like a magnifier of thoughts and emotion and vibration; that's what the stage is incredible for because it makes you live other lives. It makes you experience other emotions. It makes you feel more beautiful or more alone or more angry. It makes you feel much more, more, more.
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