A Quote by John F. Kennedy
For a subject worked and reworked so often in novels, motion pictures, and television, American Indians remain probably the least understood and most misunderstood Americans of us all.
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I think most Native American literature is unreadable by the vast majority of Native Americans. Generally speaking Indians don't read books. It's not a book culture. That's why I'm trying to make movies. Indians go to movies; Indians own video recorders.
American pictures usually have no subject, only a story. A pretty woman is not a subject. Julia Roberts doing this and that is not a subject.
I thought that it would be easier to learn that if I worked in motion pictures. So I went to work with one motion picture producer who was developing a color system. This didn't do to me much good. All I did was pick filters for the camera.
American foreign policy is not understood by the vast majority of American people. And that this is due to a media that in this country is suppressed by Washington and by the owners of this media, who often tend to be corporate entities close to the [White House] and very often are arms manufacturers with a vested interest in chaos [in] the Middle East. And as a result Americans do not actually get both sides of the story.
We have far more options for black Americans to tell stories outside of slavery, but whenever it comes to slavery, it's an uncomfortable subject. Why? Because it's the most unresolved subject in American history.
I would like to say, for the record, that I am in favor of using more American Indians and other minorities in motion pictures, I am against polluting the oceans of the world, I am for every nationality having its own homeland, I am against whacking baby seals on the head, and I am for saving the whales.
The Monica Lewinsky scandal was happening at the very time I was writing the West Wing pilot and it was hard, at least for Americans, to look at the White House and think of anything but a punch line. Plus a show about politics, a show that took place in Washington, had just never worked before in American television. So the show was delayed for a year.
The American public has difficulty believing ... [that] injustice continues to be inflicted upon Indian people because Americans assume that the sympathy and tolerance they feel toward Indians is somehow 'felt' or transferred to the government policy that deals with Indians. This is not the case.
There may be something in the fact that when I was a little kid I'd been told growing up that we had some degree of native American blood in us, I always found that a point of pride. So, when it came to cowboys and Indians I most certainly did not want to be John Wayne. I wanted to be one of the Indians.
Some of our newspapers and magazines are more concerned with the welfare of their advertisers than they are with the dissemination of news and the discussion of matters of lasting importance. ...Radio, television, motion pictures, popular books - all contribute...to...the stifling of dissent on all but the most banal levels. ...a renunciation of the most basic and precious of democratic principles.
I don't want to collect Indian art, though pots and beadwork and blankets made by Indians remain the most beautiful art objects in the American West, in my opinion.
I hope there's a window that opens in American television where the rest of the world is viewed in a less censored light. There is something about the world outside the United States that is not understood here - that seems threatening to Americans.
When E.U. governments are able to agree on political and economic policies, they will remain a superpower to influence the Americans, the Russians, Indians and Chinese over the coming decades. Britain on its own would resume the decline which continued through most of the 20th century.
My concern is to develop a North American type of anarchism that comes out of the American tradition, or that at least can be communicated to Americans and that takes into consideration that Americans are not any longer people of European background.
Novels ought to have hope; at least, American novels ought to have hope. French novels don't need to. We mostly win wars, they lose them. Of course, they did hide more Jews than many other countries, and this is a form of winning.
In novels, and American novels in particular, it's not just about redemption, it's about forward movement and healing oneself. Americans are very big on getting better.
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