A Quote by John F. Kennedy

If (my grandfather) hadn't left, I'd be working over here at the Albatross Company. — © John F. Kennedy
If (my grandfather) hadn't left, I'd be working over here at the Albatross Company.
I've adopted my grandfather's method of tapping talent. It's our ancestors' blessings and the vibe of the company which made actors enjoy working with us on projects.
That girl will rain destruction down on you and your ship. She is an albatross, Captain. Way I remember it, albatross was a ship's good luck, 'til some idiot killed it. [to Inara] Yes, I've read a poem. Try not to faint.
My grandfather was a very successful businessman. He started off as an engineer, but moved to sales to management to executive over a long career. For a while, before I was born, he was the CEO of an oil and gas exploration company.
If the only common thread you have as an industrial company is the fact that you think you're well managed, you can still be a pretty good company, but you're not going to be a dominant company, a competitive company over time.
The difference between me and other talent that has left WWE is - I left the company. In most of the other situations, the company fired them or not wanting to do with business with them.
There's real "right brain" creativity that goes into all of the organizational processes that a company utilizes and must continually reinvent in order to conduct its business. But there are also the "left brain" accounting functions that must continually ask how the company is doing financially and whether the creative processes are working for the bottom line.
My father was a great business leader and humanitarian who dedicated his life to the company and the community. He also was a wonderful family man, a loving husband, father, grandfather and great-grandfather. He will be greatly missed by everyone who knew him, yet he will continue to inspire us all.
Once a company develops out of its consumer base, you will often see a well-funded multinational company come in and take over that space. The black-owned company either stays a niche company or just disappears. This is something we don't want to happen.
My grandfather was Catholic; my grandmother, Jewish. Crossing over from Bavaria, as immigrants to the United States, the ship started to sink. My grandmother jumped overboard. My grandfather followed, to save this girl he had never met.
When I left university I was working for a documentary film company for six or seven years to the great relief of my father whose greatest waking fear was that I would become an actor.
At the end of the 1950s, I started working at a publishing company, Estudios Cor, as production manager, so returning, but not as an author, to the world of letters I had left some years before.
When you're in the middle of nowhere, when you're on this tiny little island, probably one of ten people ever to step foot on this island, it's taken you a week to get there by boat - and you step near to an albatross nest. It doesn't even look at you as the enemy. You get this great nature moment. Until you realize the albatross, along with the thousands of other winged albatrosses next to it, has constructed its nest of trash.
My grandfather was an autoworker, and I have a weapon he manufactured to protect himself from the company that he would carry to work. It's a big iron pipe with a hunk of lead on the head. I think about how far we've come as companies from those days, where workers had to protect themselves from the company.
In the summer between my freshman and sophomore year, my grandfather got me a job at a local messenger company working on Wall Street. I was lucky enough to have been in the business during a stock market boom but just before the fax machine appeared on the scene, let alone email and the Internet. As a result, the messenger business was booming.
It was a pleasure working with Q Entertainment. I don't focus on working with one company but rather with multiple companies, and I look forward to working with others.
Theatre requires devotion that is all-consuming. When we started out, we didn't mind working 12 hours a day. We didn't mind going endlessly over and over a scene to make it right. I was the company's costumer for the first few years, and I remember the budget for 'Balm in Gilead' was $150.
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