I'm black, so, you know, I'm again with black folk, but it's a love that spills over to vanilla suburbs and red reservations and brown barrios and yellow slices.
I grew up in the suburbs, sometimes country-like suburbs because we moved around, but mostly suburbs.
I grew up in the Seattle suburbs - the suburbs of suburbs. Where I'm from, it's super quiet, just woods and nothing.
I really understand what that process is all about and how important it is, especially with young folk and creative folk that love looking for some platform that makes it easier for them to express themselves.
I grew up in the suburbs and basically associate the suburbs with cultural death.
I think what makes the Byrds stand up all these years is the basis in folk music. Folk music, being a timeless art form, is the foundation of the Byrds. We were all from a folk background. We considered ourselves folk singers even when we strapped on electric instruments and dabbled in different things.
The suburbs are incredibly oppressive. I actually believe that the suburbs are much more dangerous than the ghettos.
We understand that, in our communities, black trans folk, gender-nonconforming folk, black queer folk, black women, black disabled folk - we have been leading movements for a long time, but we have been erased from the official narrative.
I think there's a difference between the type of folk music that people put into the box of "folk music" and then there's the kind of folk music that I aspire to and am in awe of, and that is the kind of folk music where it's very limited tools - in most cases a guitar, in a self-taught style that is idiosyncratic and particular to that musician.
I don't know about folk music. I play guitar, so there's a feeling I make folk music.
I'm a folk preacher. A folk therapist. A folk musician. I come from authentically that which is of my experience. Therefore, the music is strictly from the soul, strictly improvisational.
Dave Van Ronk, for those who don't know him - probably most don't know - was a folk singer. He's kind of the biggest person on the scene in 1961 in the folk revival in Greenwich Village, biggest person on the scene until Bob Dylan showed up.
Folk musicians have a lot of the same self-importance, but they're way more cruel and jealous than rock musicians - I know this for a fact because I used to be a folk musician.
You know how people always talk about how vision is the key to entrepreneurship and perseverance and really seeing what other people don't see? We can actually redeem a fair amount of that folk wisdom.
[Cities] are not like suburbs, only denser. They differ from towns and suburbs in basic ways, and one of these is that cities are, by definition, full of strangers.
Bare Foot Folk and is full of really interesting songs, Ange Hardy takes folk tales and creates new folk songs that sound traditional around the story. This is one she's called mother willow tree, it's beautiful