A Quote by John Flansburgh
You're like, "I don't want to argue with Dr. Drew on national radio." You're like the invited guest. But at the same time, as a thinking person, it's very difficult just to stand by and go, "Yeah, man, it's cool."
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I like to tell kids that I started thinking about stories when I first started reading stuff like Dr. Seuss and 'Go, Dog. Go!,' thinking, 'Oh yeah, that's funny. I'd like to do that.' And then writing throughout school, but at the same time I was studying pre-med stuff, because my mom told me I should be a doctor.
I think the most important thing is to, without belligerence, stand up for what want. Argue compellingly if someone tries to change your script. Yeah, legally they can if they want to. But rather than give up, as some of the writers do, and just wail about how your script got rewritten, it's much more difficult - but well within the realm of possibility - to argue very sincerely, calmly, and reasonably from your point of view, such that the director or the producer might decide, "All right, let's do it that way."
I think it would be super, hella cool to hop into a cab & hear my song on the radio - like, 'Yeah!' - and also be like, 'Who is this Griz guy? He's horrible.' That'd be really cool.
People are always like, 'It must be so hard for you, not to be able to leave your house. I'm like, 'No, I go where I want and do whatever I want all the time.' 'No, you walk down the street?' 'Yeah, I do all the time.' 'Really?' 'Yeah, all the time.'
And I would go on all these college tours. And I was thinking about where I would want to go. And at the end of each tour, I'd be like, yeah, yeah, yeah. So you guys have any improv groups?'
We just met for the first time and David Byrne was like, "Hey, you want to sing on this song?" and I was like, "Yes, I do want to sing on that song." He's the most legendary dude but I wasn't thinking about how he was a legend when rehearsing. I was just thinking, "Wow, this guy really knows what he wants in his music." And that ended up being the vibe, like "Oh, you wanna try that?" "Yeah, that sounds great!"
If ever anyone comes up to me, it's usually like, 'You look really like that guy on that show.' And you're like, 'Really?' And they're like, 'Yeah. Cool. See you later.' And you're like, 'Cool, man.'
When you're listening to radio and hear the same 20 songs over and over and over, you want a break from it. Sometimes you don't want to hear something that sounds just like everything else on the radio. Eventually, if you hear the same sounds and the same musicians and the same mixes and all of that, it will start to sound like elevator music.
The big difference is, as a man, I can go to a bar at two in the morning and people will be like "He's just a fun guy! That's cool that he can balance all these things." But if you see a person that you know who has two young kids and is a mom, there's no way those perceptions are the same. It's like "Oh, there must be a problem." That's usually what women face.
On a radio drama, I'd like to feel that I had just as much chance of playing Mr. Darcy as anyone else because I can sound like him, yet many radio producers find it very difficult to extend their imaginations to employing anyone who's non-white.
On a radio drama I'd like to feel that I had just as much chance of playing Mr Darcy as anyone else because I can sound like him, yet many radio producers find it very difficult to extend their imaginations to employing anyone who's non white.
You want to be taken seriously as an artist and not just known as 'that girl wrestler who sings.' So you want to go out and stand on your own legs. But at the same time, I don't negate the fact that without everything I've accomplished in wrestling, I wouldn't have been given so many really cool opportunities on the music side.
I like to go to anybody else's birthday, and if I'm invited I'm a good guest. But I never celebrate my birthdays. I really don't care.
To make a live record - something that has a lot of life in it - is difficult. After slaving away for years in the studio, when I hear a No Age record or when I hear Yeah Yeah Yeahs' first EP or when I hear DRI or really early punk stuff, it's just so powerful, so raw - and I know how hard that is to create. It's very deceptive. It's like a Dardenne brothers film - it seems like just a handheld camera following some people around in a trailer park, but it's incredibly difficult to do that.
I don't like walking around with people thinking I'm doing uncool s--, because there's nothing I'm doing that's uncool. It's all innovative. You just might not understand it yet. But it's cool. Family is super cool. Going home to one girl every night is super cool. Just going home and getting on the floor and playing with your child is super cool. Not wearing a red leather jacket, and just looking like a dad and s--, is like super cool. Having someone that I can call Mom again. That s-- is super cool.
When I trip, I feel like that's the world saying come here for a second. It just pulls me closer for a second, yeah what do you want? I just want to remind you that you're uncoordinated. I'm aware of that, thank you... can I go now? Yeah, you can go, but never ever try to outrun me. Ok, world, see you later. Yeah, I'll see you in about 50 years.
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