A Quote by John Foster

To me, Shakespeare uses the supernatural elements to reveal his character's inner desires and fears. — © John Foster
To me, Shakespeare uses the supernatural elements to reveal his character's inner desires and fears.
We need no fanciful teaching regarding the personality of God. What God desires us to know of Him is revealed in His word and His works. The beautiful things of nature reveal His character and His power as Creator.
Shakespeare also introduces the supernatural into some of his tragedies; he introduces ghosts, and witches who have supernatural knowledge.
A person whose desires and impulses are his own - are the expression of his own nature, as it has been developed and modified by his own culture - is said to have a character. One whose desires and impulses are not his own, has no character, no more than a steam-engine has character.
You must never call your enemy by a name you choose for him." “Instead you must call him by the name he calls himself. What he chooses will reflect his pride; it will reveal his desires. But what you choose to call him will reveal your fears, which should be kept to yourself, lest your enemy find the way to exploit them.
If a man gives way to all his desires, or panders to them, there will be no inner struggle in him, no 'friction,' no fire. But if, for the sake of attaining a definite aim, he struggles with desires that hinder him, he will then create a fire which will gradually transform his inner world into a single whole.
Expeditions can greatly contribute towards building strength of character. Joseph Conrad in Lord Jim tells us that it is necessary for a youth to experience events which 'reveal the inner worth of the man; the edge of his temper; the fibre of his stuff; the quality of his resistance; the secret truth of his pretences, not only to himself but others.
Flaws reveal a lot about a character and who people are. The flawed elements of a character are where I find their humanity. Those are the things I tend to identify with - the weaknesses. I don't know why, but I identify with struggle more than with success.
A wise man seeks by music to strengthen his soul: the thoughtless one uses it to stifle his fears.
Plot is merely the mechanism by which your character is forced up against her deepest fears and desires.
There are recurring elements in popularized fairy tales, such as absent parents, some sort of struggle, a transformation, and a marriage. If you look at a range of stories, you find many stories about marriage, sexual initiation, abandonment. The plots often revolve around what to me seem to be elemental fears and desires.
With Othello, Shakespeare posed this problem of a black man in a white society in the role that he's playing. And Shakespeare gave Othello such dignity - he came not from - as he said - not from hate but from honor, from a sense of his own human dignity. And to me, to my mind, there could be no greater character played.
The dreams which reveal the supernatural are promises and messages that God sends us directly: they are nothing but His angels, His ministering spirits , who usually appear to us when we are in a great predicament.
The dreams which reveal the supernatural are promises and messages that God sends us directly: they are nothing but His angels, His ministering spirits, who usually appear to us when we are in a great predicament.
One of the things that makes Hamlet unique among Shakespeare's characters is his courage to face up to the darker elements of his personality.
Character refers to dispositions and habits that determine the way that person normally responds to desires, fears, challenges, opportunities, failures and successes.
The great thing about fairy tales and myths is that they go beyond character. They're not about character. They're about more basic things. They're about basic fears or longings or desires or fantasies, and stuff like that.
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