A Quote by John Fowles

All novelists should live in two different worlds: a real one and an unreal one. — © John Fowles
All novelists should live in two different worlds: a real one and an unreal one.
No two languages are ever sufficiently similar to be considered as representing the same social reality. The worlds in which different societies live are distinct worlds, not merely the same world with different labels attached.
Did Buddha teach that the many was real and the ego unreal, while orthodox Hinduism regards the One as the real, and the many as unreal?" the Swami was asked. "Yes", answered the Swami. "And what Ramakrishna Paramahamsa and I have added to this is, that the Many and the One are the same Reality, perceived by the same mind at different times and in different attitudes.
You read, move your lips, figure out the words, and it's like you're in two places at the same time: you're sitting or lying with your legs curled up, your hand groping in the bowl, but you can see different worlds, far-off worlds that maybe never existed but still seem real. You run or sail or race in a sleigh--you're running away from someone, or you yourself have decided to attack--your heart thumps, life flies by, and it's wondrous: you can live as many different lives as there are books to read.
I really think more fledgling novelists - and many current and even established novelists - should get out into the real world and cover local politics, sports, culture, and crime and write it up on deadline.
We do not live in several different, or even two different, worlds, a mental world and a physical world, a scientific world and a world of common sense. Rather, there is just one world; it is the world we all live in, and we need to account for how we exist as part of it.
Dreaming is the opportunity to hold a citizenship in two worlds, equally real but with different logic and limitations.
I've always written towards movies that take place across two worlds. Most of the movies that I've worked on take place in two worlds, or sometimes three worlds, where you have a normal world and a fantasy world that mix and overlap. I never shy away from the series stuff in the real world. Big Fish is about mortality.
There are different worlds, endless worlds, and different beings come from different worlds. In my particular case, I come from the stillness. We call it the dharmakaya, the clear light of reality. I know it quite well.
There are only two worlds - your world, which is the real world, and other worlds, the fantasy. Worlds like this are worlds of the human imagination: their reality, or lack of reality, is not important. What is important is that they are there. these worlds provide an alternative. Provide an escape. Provide a threat. Provide a dream, and power; provide refuge, and pain. They give your world meaning. They do not exist; and thus they are all that matters.
I hardly need to abstract things, for each object is unreal enough already, so unreal that I can only make it real by means of painting.
What I thought was unreal now, for me, seems in some ways to be more real than what I think to be real, which seems now to be unreal
The fantasy world, the 'Game of Thrones' world, the forgotten realms worlds - they're the type of worlds I've always wanted to live in. Where vampires, dragons, dwarves and elves are real.
There is the physical world that we live in, which we perceive through the senses, but there are other worlds. Right in front of you there are other worlds, right now. Those worlds are as real, if you will, as the physical world.
It's always the case that the minority has to navigate two different worlds. Women have to know how to live in a man's world. Gay people have to know how to live in a straight world. Black people gotta know how to live in a predominantly white world.
Novelists should never allow themselves to weary of the study of real life.
Maybe the two different worlds we lived in weren't so different. We saw the same sunset.
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