A Quote by John Fowles
All pasts are like poems; one can derive a thousand things, but not live in them.
Related Quotes
Some of my best friends here in New York have pasts I have a hard time reconciling with the people I'm close to now. But I wouldn't change them - or their pasts - for anything in the world. Their experiences are what made them the people they are today.
If you want to write poetry, you must have poems that deeply move you. Poems you can't live without. I think of a poem as the blood in a blood transfusion, given from the heart of the poet to the heart of the reader. Seek after poems that live inside you, poems that move through your veins.
Man, them engagement rings, boy, they cost a lot. I was looking at 'em. Cost like a thousand bucks, two thousand bucks, y'know. Three thousand bucks. Something like that- four thousand bucks. Big number divisible by a thousand, anyways.
I pledge to set out to live a thousand lives between printed pages. I pledge to use books as doors to other minds, old and young, girl and boy, man and animal. I pledge to use books to open windows to a thousand different worlds and to the thousand different faces of my own world. I pledge to use books to make my universe spread much wider than the world I live in every day. I pledge to treat my books like friends, visiting them all from time to time and keeping them close.
Typically, in a live-action format, when you watch a wrestling show, you've got wrestlers in a ring in front of a thousand, five thousand, ten thousand people, and they're playing to large crowd, so you never really get that intimate, close and personal dialogue with them.
There are a thousand thousand reasons to live this life, everyone of them sufficient
What I like about prose poems is that they seem to make people uncomfortable - people want to define them, justify them, attack them. Prose poems are natural fence-sitters.
I like to read a lot of books and poems. Even though poems are short, I enjoy the emotions that come with them.
My obsessions tend to cluster, so I often have families of poems in which only a couple of them make it to the book. It can be satisfying to banish poems to my "crappy poems" file.
If I were to live a thousand years, I would belong to you for all of them. If we were to live a thousand lives, I would want to make you mine in each one.
All of the characters on 'Doom Patrol' explore traumatic pasts, how to deal with those pasts, and how that affects their present and their future.
If you can find two poems in a book, it could be a pretty good book for you. You know, two poems you really like. There are some poets who are fairly big names in contemporary poetry and who write a book and I might like three or four poems in the book, but the rest of them don't appeal to me personally; but I think that's the way it really ought to be. I think it's really a rare thing to like everything that somebody has written.
Poems reach up like spindrift and the edge of driftwood along the beach, wanting! They derive from a slow and powerful root that we can’t see. Stop the words now. Open the window in the center of your chest, and let the spirits fly in and out.
I like poems that are daggers that sing. I like poems that for all the power of the sentiments expressed, and all the power to upset and offend, are so well made that they’re achieved things. However much they upset you, they also affect you.
I believe in creative failing - to contine to write poems that fail and fail and fail until a day comes when you've got a thousand poems behind you and you're relaxed and you finally write a good poem.
The faculty of memory cannot be separated from the imagination. They go hand in hand. To one degree or another, we all invent our personal pasts. And for most of us those pasts are built from emotionally colored memories.
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