One of the magical things about photography is the transformation that takes place when you photograph something. Something that inherently has very little going for it in terms of the interest you take in it, can become infinitely more interesting when rendered as a photograph. It's no longer a building. It's a photograph.
Love never dies a natural death. It dies because we don't know how to replenish its source. It dies of blindness and errors and betrayals. It dies of illness and wounds; it dies of weariness, of witherings, of tarnishings.
To go and photograph an airbase is not only to photograph something but it is to insist on one’s right to photograph. You’re flexing that right.
A man who lives unrelated to other human beings dies. But a man who lives unrelated to himself also dies.
A reader lives a thousand lives before he dies, said Jojen. The man who never reads lives only one.
If you want to kill something, neglect it. It happens in both good and bad. Neglect a relationship, it dies. Neglect your iman, it dies. But the same principal applies when you want to kill something like a thought or a desire. Neglect it, it dies.
One, Andrew Carnegie said, ‘He who dies with wealth dies in shame.’ And someone once said, ‘He who gives while he lives also knows where it goes.’
Serious relationships draw us away from the circle of friends that seemed so adequate, so fulfilling. Marriage cements these inward movements. Children draw partners closer, but they can also draw you further away from the friends and lives you once knew.
I believe in two things: One, Andrew Carnegie said, 'He who dies with wealth dies in shame.' And someone once said, 'He who gives while he lives also knows where it goes.'
How foolish of me to believe that it would be that easy. I had confused the appearance of trees and automobiles, and people with a reality itself, and believed that a photograph of these appearances to be a photograph of it. It is a melancholy truth that I will never be able to photograph it and can only fail. I am a reflection photographing other reflections within a reflection. To photograph reality is to photograph nothing.
You have to bring to the photograph a prejudice about something, and I'm prejudiced against farmers who tie dead animals on fences. Therefore, I can make a meaningful photograph.
If a bush is too big, don't ask "should I?" Go ahead and cut it. If it lives, great. If it dies, replace it with something better suited!
When you photograph people in color you photograph their clothes. When you photograph people in black and white, you photograph their soul!
Rather than deliberately trying to draw something, use something you yourself like and want to draw, and I think the characters that come out of that will really have their own individuality.
I do not photograph for ulterior purposes. I photograph for the thing itself - for the photograph - without consideration of how it may be used.