A Quote by John Fowles

The great majority of modern third-person narration is "I" narration very thinly disguised. — © John Fowles
The great majority of modern third-person narration is "I" narration very thinly disguised.
The desire for narration keeps on reasserting itself, so that since modernism and fiction brought narration to an end, it is sought in memoirs.
My sister and I had jointly heard the narration of 'Revolver Rani' in Tigmanshu Dhulia's office. After hearing the narration, my sister was very scared and adamant that I should not do this film, as my character was twisted, neurotic, violent and abusive.
A play, after all, is a mystery. There's no narration. And as soon as there's no narration, it's open to interpretation. It must be interpreted. You don't have a choice... Each play can become many things.
When you pick up a book, everyone knows it's imaginary. You don't have to pretend it's not a book. We don't have to pretend that people don't write books. That omniscient third-person narration isn't the only way to do it. Once you're writing in the first person, then the narrator is a writer.
I think that first-person narration is very characteristic of contemporary optics, in which the individual performs the role of subjective center of the world.
With narration, you have to be very accurate with your voice. It's a good exercise to do.
With American blockbuster cinema, everything is very fast, there's a lot of action and narration.
In the late 60s and early 70s, I did get interested in voices, and in narration and embodying the voice, making the poem sound like a real person talking.
All of the narration in 'Smile' is first-person. Most of the books that I grew up reading had first-person narrators for some reason. My diaries were written in this voice, and since this story is autobiographical, it just felt like a natural extension.
For me it's a very organic process. I read the script/hear a narration and pretty much know instantly if it's something I want to be a part of or not. It's really as simple as that.
Education is suffering from narration sickness.
Like 'Metro' and 'Motor,' 'Troublemaker' is written in first person. The only narration that happens is Barney speaking to the reader/thinking in her head. First person was a big challenge in the graphic novel because we want both men and women of all ages to enjoy 'Troublemaker.'
When I choose the scripts, all I look forward to is an impressive narration.
Prediction, not narration, is the real test of our understanding of the world.
Narration is as much a part of human nature as breath and the circulation of the blood.
History is principally the inaccurate narration of events which ought not to have happened.
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