A Quote by John French Sloan
The great black and white draftsman, the sculptor, and the blind man know that form and color are separate. The form itself is what the blind man knows...Color is surface skin that fits over the form.
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Only in this form of separation the black man is exploited. The Honorable Elijah Muhammad says that we should be separate, all right, but in this separate state or separate existence, the black man should be given the opportunity and the incentive to do for himself what the white man has done for himself.
The color of the prisoner's skin, and the form of his features, are not impressed upon the spiritual immortal mind which works beneath. In spite of human pride, he is still your brother, and mine, in form and color accepted and approved by his Father, and yours, and mine, and bears equally with us the proudest inheritance of our race - the image of our Maker. Hold him then to be a Man.
And my point was one I think that you'd agree with, which is there's no room in America for a black racist, a Latino racist, or a white racist, or an Asian racist, or a Native American racist. Now, we're either color blind or we're not color blind.
Design and color are not distinct and separate. As one paints, one draws. The more the colors harmonize, the more the design takes form. When color is at it's richest, form is at its fullest.
When the conception of internal form is governed by edge, color appears to remain on or above the surface. I think, on the contrary, of color as being seen in and throughout, not solely on, the surface.
Color exists simultaneously with form. Both elements are constantly associated but color strikes you more - a rose for instance - sometimes form - the human body.
Money is color-blind, race-blind, sex-blind, degree-blind, and couldn't care less who brought you up or in what circumstances.
Drawing and color are not separate at all; in so far as you paint, you draw. The more color harmonizes, the more exact the drawing becomes. When the color achieves richness, the form attains its fullness also
Nowadays, people shoot digitally and it's all in color, but you press a button and it all goes to black and white. But it's not lit for black and white. So, it's a tricky thing. If you're going do black and white, you better remember to separate things with light, because color ain't gonna be there.
It is not the form that dictates the color, but the color that brings out the form.
People say the effect is only on the mind. It is no such thing. The effect is on the body, too. Little as we know about the way in which we are affected by form, by color, and light, we do know this, that they have an actual physical effect. Variety of form and brilliancy of color in the objects presented to patients, are actual means of recovery.
'Color-blind' comes up - people say 'Oh, I'm color-blind and therefore can't be accused of racism,' but I think that if we are going to have an honest dialogue about racism, we have to admit that people of color are having a different experience.
Being the only non-Black was a unique experience. After a few weeks, you're not aware of skin color differences. You see the color; you're not blind, but it doesn't matter. You see the human being first.
If I'm doing a logo, I'll do it in black and white. Once the form is feeling right, only then do I start exploring the color palettes. A good example was the process of rebranding the Salvador Dali Museum. I did at least 100 versions in black and white.
I have touched here on a problem that is masked if one speaks of racism. And that is the fact that the major differences between the established and outsiders group, which create tension and irritation, is not the form of the face or the skin color but the form of behavior: something learned. The form of behavior and feeling, of sentiment, is different in the immigrant groups from that of the established groups, and that may give rise to an enormous irritation.
Color is life, for a world without color seems dead. As a flame produces light, light produces color. As intonation lends color to the spoken word, color lends spiritually realized sound to a form.
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