A Quote by John French Sloan

Form your own color concept of things in nature. I have no rules for fine color to give you. — © John French Sloan
Form your own color concept of things in nature. I have no rules for fine color to give you.
Dark green is my favorite color. It's the color of nature and the color of money and the color of moss!
Color is life, for a world without color seems dead. As a flame produces light, light produces color. As intonation lends color to the spoken word, color lends spiritually realized sound to a form.
So really what I am trying to do is create and understand form. But then too, color enters into it because a lot of things are color changes without a value change, which wouldn't show up if you were just using a non-color medium.
For many years, I have been moved by the blue at the far edge of what can be seen, that color of horizons, of remote mountain ranges, of anything far away. The color of that distance is the color of an emotion, the color of solitude and of desire, the color of there seen from here, the color of where you are not. And the color of where you can never go.
Drawing and color are by no means two different things. As you paint, you draw... When color is at its richest, form is at its fullest.
Painting is drawing, with the additional means of color. Painting without drawing is just 'coloriness,' color excitement. To think of color for color's sake is like thinking of sound for sound's sake. Color is like music. The palette is an instrument that can be orchestrated to build form.
Color exists simultaneously with form. Both elements are constantly associated but color strikes you more - a rose for instance - sometimes form - the human body.
Drawing and color are not separate at all; in so far as you paint, you draw. The more color harmonizes, the more exact the drawing becomes. When the color achieves richness, the form attains its fullness also
In the work of Seurat, you can see the dots of neutral colors carrying the form and then the dots of more intense color that make the color texture. It is a totally different principle that than of the Impressionists who used broken color to imitate visual effect.
All students need to know about color is the basic color wheel and complimentary colors. There are many books on color theory; do not waste your time and money.
Art is always an exaggeration in some sense; in color, in form, even in theme, etc... but it has always been this way. It is the same with the nature of some works by Giotto or Massacio, or the color of life as expressed by Van Gogh.
The fact is, that of all God's gifts to the sight of man, color, is the holiest, the most divine, the most solemn. We speak rashly of gay color and sad color, for color cannot at once be good and gay. All good color is in some degree pensive, the loveliest is melancholy, and the purest and most thoughtful minds are those which love color the most.
Flowers and flames. And color. Color as color, not as volume or light - only as color.
You'll understand, I'm sure that I'm chasing the merest sliver of color. It's my own fault. I want to grasp the intangible. It's terrible how the light runs out. Color, any color, lasts a second, sometimes 3 or 4 minutes at most.
The great black and white draftsman, the sculptor, and the blind man know that form and color are separate. The form itself is what the blind man knows...Color is surface skin that fits over the form.
When you want full color perception, you must give up preferring some colors and hating others, for you can only hate one aspect of a color, not a whole color, it seems, hate being blind, like 'love.
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