A Quote by John French Sloan

In the hands of a master, light and shade is one of the great qualities of art. — © John French Sloan
In the hands of a master, light and shade is one of the great qualities of art.
It is to Titian we must turn our eyes to find excellence with regard to color, and light and shade, in the highest degree. He was both the first and the greatest master of this art. By a few strokes he knew how to mark the general image and character of whatever object he attempted.
Joy and sorrow are the light and shade of life; without light and shade no picture is clear.
I always think of shade as being full of light. That is why I like to use the word shade rather than light and shadow. Shade seems to play over the thing, envelop it, better define it, while shadow seems to fall on the thing and stain the surface with darks.
There are varying degrees of shade. There is funny shade, warning shade, tea shade, and mean girl shade.
My hands look like my dad's and my mom's put together. She's a piano player, he was an artist, and I use the creative qualities I got from them in my fighting. But I don't just destroy with my hands; I also create: I cook and make art and garden.
It seems obvious that colors vary according to lights, because when any color is placed in the shade, it appears to be different from the same color which is located in light. Shade makes color dark, whereas light makes color bright where it strikes.
There are some qualities, some incorporate things, that have a double life, which thus is made. A type os twin entity which springs from matter and light, envinced in solid and shade.
In art, there is no need for color; I see only light and shade. Give me a crayon, and I will paint your portrait.
Art is the subjective, preferential treatment of certain elements of reality; it selects and resets, distributes light and shade, omits and underlines, softens and emphasises.
Architecture is the masterly, correct and magnificent play of masses brought together in light. Our eyes are made to see forms in light; light and shade reveal these forms; cubes, cones, spheres, cylinders or pyramids are the great primary forms which light reveals to advantage; the image of these is distinct and tangible within us without ambiguity. It is for this reason that these are beautiful forms, the most beautiful forms. Everybody is agreed to that, the child, the savage and the metaphysician.
I would have artists be convinced that the supreme skill and art in painting consists in knowing how to use black and white... because it is light and shade that make objects appear in relief.
When we speak of the perfection of art, we must recollect what the materials are with which a painter contends with nature. For the light of the sun he has but patent yellow and white lead - for the darkest shade, umber or soot.
Sets of lines can say something about the direction and nature of the light. They are used by great fresco painters as a sign for shade.
Architecture is the masterly, correct, and magnificent play of masses brought together in light. Our eyes are made to see forms in light: light and shade reveal these forms.
In the past, traditional art was based on making manifest what is enduring in man, like love, jealousy, hatred, envy, and greed... . Today art has to look again at these unchanging qualities, because society is no longer unchanging. It is up to art today to show us what has become of these unchanging qualities in a world which is moving and changing.
It's great to be thought of as the master of anything. Even idiocy. Master of idiocy, Wes Craven. But if it's master of horror or fear or whatever, that's great.
This site uses cookies to ensure you get the best experience. More info...
Got it!