A Quote by John French Sloan

The purpose of subject matter is to veil technique. The great artist uses the cloak of resemblance to hide the means. — © John French Sloan
The purpose of subject matter is to veil technique. The great artist uses the cloak of resemblance to hide the means.
In short, [Coltrane's] tone is beautiful because it is functional. In other words, it is always involved in saying something. You can't separate the means that a man uses to say something from what he ultimately says. Technique is not separated from its content in a great artist.
An artist must first of all respond to his subject, he must be filled with emotion toward that subject and then he must make his technique so sincere, so translucent that it may be forgotten, the value of the subject shining through it.
He that uses many words for explaining any subject, doth, like the cuttlefish, hide himself for the most part in his own ink.
Social engineers veil themselves in a cloak of believability.
I don't think there's a subject matter that can't absorb 3-D; that can't tolerate the addition of depth as a storytelling technique.
It seems to me that information is the thing which uses matter, uses light, uses spirit, uses whatever it can put its hands on to organize itself into higher and higher levels of self-reflection.
The secret for an artist is to make that a subject and not bang your head against the wall and give up. But to turn it into and treat the new subject matter, which is one's own vanishing.
No matter how many great things you say about Jacques Pepin, there's always more. Through his books and videos, he taught me the importance of technique in the kitchen, but, more significantly, he showed me what it means to be a great teacher and educator.
The subject matter that I am really spending my time on has become an acceptable subject matter. Living, lifestyle, family, is now in the forefront of interest in America, and I've just stuck with it. I mean, I've been doing this for years, and I never got angry. I never said, you know, listen, I'm fighting for this subject. That wasn't my point. My point was to continue working in a subject matter, knowing full well that finally it would be recognized as a viable subject once again.
Official history is merely a veil to hide the truth of what really happened. When the veil is lifted, again and again we see that not only is the official version not true, it is often 100% wrong.
A journalist uses the most precise words he or she can. An artist does the same sort of thing. You gather material about a particular subject, you refine it as best you can.
It shouldn't matter what your sexual orientation is, you just need to be great at what you do. If you're an artist, be a great artist.
Sherlock [Holmes] is on the side of the angels, but don't think he's one of them. He uses similar means, but it seems to be for a better purpose, one would hope.
At the core, every artist, no matter what his subject matter happens to be, has to be someone doing the looking. I began to really interrogate the act of looking.
Experience, in short, is not a combination of mind and world, subject and object, method and subject matter, but is a single continuous interaction of a great diversity (literally countless in number) of energies.
Shall any gazer see with mortal eyes, Or any searcher know by mortal mind; Veil upon veil will lift but there must be Veil upon veil behind.
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