A Quote by John French Sloan

Line is the most powerful device of drawing. — © John French Sloan
Line is the most powerful device of drawing.
Think, for a moment, of the countless happy childhood hours you spent with this amazing device: Drawing perfect horizontals, drawing perfect verticals, drawing really spastic diagonals, trying to scrape away the silver powder from the window so you could look inside.
Matisse makes a drawing, then he makes a copy of it. He copies it five times, ten times, always clarifying the line. He’s convinced that the last, the most stripped down, is the best, the purest, the definitive one; and in fact, most of the time, it was the first. In drawing, nothing is better than the first attempt.
Drawing is the probity of art. To draw does not mean simply to reproduce contours; drawing does not consist merely of line: drawing is also expression, the inner form, the plane, the modeling. See what remains after that.
To me, presentations are the most powerful device. You can't really name a movement that didn't start with the spoken word.
Drawing is not following a line on the model, it is drawing your sense of the thing.
Drawing is the cornerstone of the graphic, plastic arts. Drawing is the coordination of line, tone, and color symbols into formations that express the artist's thought.
As far as CGI and hand-drawn animation, I consider them both nothing more than tools for drawing pictures, the same as crayons or oils. Which is why, to me, the most important thing is what it is you are drawing, and in the themes that I depict, I think hand-drawing is the most effective.
I am trying to represent design through drawing. I have always drawn things to a high degree of detail. That is not an ideological position I hold on drawing but is rather an expression of my desire to design and by extension to build. This has often been mistaken as a fetish I have for drawing: of drawing for drawing’s sake, for the love of drawing. Never. Never. Yes, I love making a beautiful, well-crafted drawing, but I love it only because of the amount of information a precise drawing provides
There's no sense drawing attention to yourself, Li." "Hellooooo. I'm aHorseman of the Apocalypse, and I'm betrothed to the most infamous, most powerful demon in existence. I couldn't draw more attention to myself i I wore Lady Gaga's meat dress to a PETA convention.
What's the most fetching thing that provokes people? A volcano? Fountains that dance? A pirate ship that sinks? Some other animated device or presentation? Is that as strong as mystery? Allure, intrigue, is much more powerful... It taunts you.
Drawing is the most direct and personal kind of graphic expression. Unlike painting, it doesn't forgive. You put down your black line, and there it is - as inevitable as death.
I saw lots of music devices. I loved playing with music devices. And like most of the world, I thought of a music device as a music device. Steve Jobs tends to look beyond that, and he doesn't see a music device as having any importance at all - how fast it is, how many songs it can hold, and all that - he sees music itself to a person as a being the important thing.
Obviously a drawing of a person is not a real person, but a drawing of a line is a real line.
I have seen something of the project of M. de St. Pierre, for maintaining a perpetual peace in Europe. I am reminded of a device in a cemetery, with the words: Pax perpetua ; for the dead do not fight any longer: but the living are of another humor; and the most powerful do not respect tribunals at all.
Storytelling with music is a really powerful device.
I was always most interested in drawing - most of my childhood drawings are black-and-white line work. And when I kind of abandoned comics, through college and art school, I was doing a lot of painting. But once I started doing comics again, everything else just fell by the wayside.
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