A Quote by John Frusciante
I'm dreading the time that is not near As a man on a cross I have no fear I can't believe these words I'm saying You've got to feel your lines
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There's this exhausting energy from you getting your lines out and your words right, especially if it's a complicated scene. And as soon as the camera is off you and goes on the other person, you're talking garbled garbage and you feel so sorry for them because you've lost the will to live, after 18 hours of saying those lines. That's terribly unfair. So, I do love the quick-paced nature of it.
I think if a writer is not endeavoring to expand and alter consciousness in himself and in his readers, he is not doing much of anything. It is precisely words, word lines, lines of words and images, and associations connected with these word and image lines in the brain, that keep you in present time, right where you are sitting now.
Those who understand the cross increasingly see their sin as God does, and therefore begin to feelabout sin as does God. We begin to mourn for and hate it. In other words, at the cross God becomes larger and we become smaller. This separation is at the heart of the fear of God. This "fear" opens God's wisdom to us because only in light of God's immensity can I see the importance of living for the right end, his glory. And only in the light of my smallness can I feel overawed by the means he used to save me, his cross.
For fear, real fear such as shakes you to your foundation, such as you feel when you are brought face to face with your mortal end, nestles in your memory like a gangrene: it seeks to rot everything, even the words with which to speak of it. So you must fight hard to express it. You must fight hard to shine the light of words upon it. Because if you don't, if your fear becomes a wordless darkness that you avoid, perhaps even manage to forget, you open yourself to further attacks of fear because you never truly fought the opponent who defeated you.
Your circumstances will line up with your words. ... Words are like seeds, they have creative power. ... The more you talk about it the more you call it in. ... Your words will give life to what you are saying. ... You can change your world by simply changing your words. ... You can use your words to bless your life or curse your life.
In all forms of leadership, whether you are a coach, a CEO, or a parent, there are four words that, when said, can bring out the best in your team, your employees, and your family. I BELIEVE IN YOU. Those four words can mean the difference between a fear of failure and the courage to try.
What you accomplish in life is limited only by your imagination and the fear of reprisal. Life is too fleeting and unrewarding to have to live with the added anus of indignity. The denial of one's inevitable demise is what causes most of the astringent blandness in the world. When your existence ends most certainly in death, there is no such thing as 'going too far'. There are no 'lines' you should fear to cross except the finish line. Playing it safe is the most dangerous thing you could do.
I have a new method of poetry. All you got to do is look over your notebooks... or lay down on a couch, and think of anything that comes into your head, especially the miseries. Then arrange in lines of two, three or four words each, don't bother about sentences, in sections of two, three or four lines each.
My music is more like ghetto gospel; there's a message in my words, so people listen. Sometimes you might here different things; it depends on how you feel. You might feel down, and I might be the cat in the same sentence saying, "You need to get up and do your thing." And then I could be the same cat, when you at the top of your game, telling you, "It feel good, don't it?" but with the same words.
I'm dreading being on a ski cross with other skiers who don't know what they're doing.
I wish I could explain it so someone could understand it. I'm afraid it's something I can't put into words. There's just this heavy, overwhelming despair - dreading everything. Dreading life. Empty inside, to the point of numbness. It's like there's something already dead inside. My whole being has been pulling back into that void for months. (81)
Our first love-letter ... There is so much to be said, and which no words seems exactly to say - the dread of saying too much is so nicely balanced by the fear of saying too little. Hope borders on presumption, and fear on reproach.
I believe that the main thing in beginning a novel is to feel, not that you can write it, but that it exists on the far side of a gulf, which words can't cross: that it's to be pulled through only in a breathless anguish.
'Melanin Man' was inspired by the words of an Uber driver in L.A. Before I got out of the car he said, 'They're scared of you young man. You're a king and they all know it. They want your culture, your soulful element and your style. You're Melanin Man, a super hero. Be safe out here.' Then I got out the car and took that all in.
I'm not interested in saying what people should and shouldn't do. It depends on how people feel about themselves. I suppose personally if you do anything out of fear or to mask who you are, then that's a bit scary. You've got to work with what you got.
To know that you are God is another way of saying that you feel completely with this universe. You feel profoundly rooted in it and connected with it. You feel, in other words, that the whole energy, which expresses itself in the galaxies, is intimate. It is not something to which you are a stranger, but it is that with which you, whatever it is, are intimately bound up. That in your seeing, your hearing, your talking, your thinking, your moving, you express that which it is that moves the sun and other stars.
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