A Quote by John Frusciante
And for me the only way to live life is to grab the bull by the horns and call up recording studios and set dates to go in recording studios. To try and accomplish something.
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Recording studios are filled with technology. They are set in their ways. And to update them means you'd have to change them back. That would be my idea of upgrading. And this will never happen. As far as I know, recording studios are booked all the time. So obviously people like all the improvements. The more technically advanced they are, the more in demand they become.
Recording studios are interesting; a lot of people say - and I agree - that you should have a lot of wood in a recording studio. It gets a kind of a sweeter sound.
I've not really spent much time in proper studios. The room itself where you're recording, and how you live while you're there is what appeals to me.
Music was definitely a way out. Instead of playing basketball, I was going to recording studios.
A lot of people think that I grew up in recording studios and knew the whole process, but that was never the case.
Being on a K-pop label and agency, everything's taken care of for you. The music is set up for you. Your food, manager, practice room, recording studios - all these things are in the palm of your hand. However, you know the compromise of what you can actually do or say.
I always feel like there's something magic in recording studios. There's a reason good music continues to be made in them. It's just some mojo element.
I've been hanging around movie sets and recording studios since I can remember.
I remember showing Prince around Warners' recording studios. He was the nicest kid.
Abbey Road was actually one of the first studios I ever got the chance to go to. A friend of mine won a competition and got the chance to spend a day recording there - that's when I was around 15 - and I was the only one who could engineer out of all of us.
I don't like recording studios - except my own, which is just a little room above the garage.
I don't like recording studios - except my own,
which is just a little room above the garage.
I have studios in the different places where I live - in Ibiza, Paris and London - but they're not crazy studios, they're just rooms with good monitors, and all I do is plug my laptop in. It's a different way to make music, but for me, I love it, because it's more connected to the world.
I really love something about being around the recording studios - you know, like, those days in the '80s they'd be, like, in the studio 'til 4, 5, 6 in the morning working on these songs.
The late '60s and the '70s, a lot of this really beautiful equipment was being made and installed into studios around the world and the Neve boards were considered like the Cadillacs of recording consoles. They're these really big, behemoth-looking recording desks; they kind of look like they're from the Enterprise in Star Trek or something like that. They're like a grayish color, sort of like an old Army tank with lots of knobs, and to any studio geek or gear enthusiast it's like the coolest toy in the world.
I just recorded in studios, you know, people pressed the buttons for me. So I just started recording the bass lines and guitar parts with my voice, covering classical pieces, or just making up melodies so I could learn how to use it.
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