A Quote by John Frusciante
Yeah, I really like being alive. But I definitely don't have any intentions as an artist.
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If I'm writing for a particular artist, I definitely think about their past records, pay attention to the type of tempos that they like. If I have the privilege of actually being in the session with the artist, I just like to have a conversation with them.
I don't know about being an icon yet but I definitely do love fashion; it's really important for me to resemble my music. I definitely look like I sound. Creating an image is an art form in itself, it's a really fun part of being a musician.
I felt him there with me. The real David. My David. David, you are still here. Alive. Alive in me.Alive in the galaxy.Alive in the stars.Alive in the sky.Alive in the sea.Alive in the palm trees.Alive in feathers.Alive in birds.Alive in the mountains.Alive in the coyotes.Alive in books.Alive in sound.Alive in mom.Alive in dad.Alive in Bobby.Alive in me.Alive in soil.Alive in branches.Alive in fossils.Alive in tongues.Alive in eyes.Alive in cries.Alive in bodies.Alive in past, present and future. Alive forever.
A lot of people like structure, so there's definitely a risk with being an artist that a lot of people aren't really willing to take.
Gossip is never fatal until it is denied. Gossip goes on about every human being alive and about all the dead that are alive enough to be remembered, and yet almost never does any harm until some defender makes a controversy. Gossip's a nasty thing, but it's sickly, and if people of good intentions will let it entirely alone, it will die, ninety-nine times out of a hundred.
I am an artist, and I understand the pros and cons of being an artist, and the pressures of being an artist, and how much being an artist can be torture to people around you; you know, you friends and your family and how material you can be, and how it's hard to take criticism and all the things like that.
[Being in the States] is almost like being on a holiday. It's kind of annoying because everyone's like "Oh, you're so obsessed with America," but it's not really that. I just really enjoy being here - I'm not the first British artist to make music here and be inspired by the country.
The kind of artist I would like to be is definitely versatile. I don't like being boxed in or put into a genre, so to speak.
I think any time you have Phil Jackson involved in any organization, you're going to definitely look at it, and it's definitely intriguing. The Knicks are definitely a place where anybody would like to go.
I could definitely rock out to Kraftwerk's "Tour De France," Tubeway Army, or Gary Numan. All of that stuff has an infectious beat, but with "Oh Yeah," I can't even identify what's going on. It sounds like typewriter keys, a couple of synth notes and then this really deep "Oh yeah," which I always picture as Andre The Giant on vocals.
I've definitely grown and evolved as a person, as an artist, you know. Just in terms of my style, my taste, my influences, everything... That's a part of being an artist I think.
I'm just observing the world. I was born into it, like you were, and then I found out there were some really disturbing aspects to being alive, like the fact that you weren't going to be alive forever - that bothered me.
To all of a sudden go from feeling almost invincible to being temporarily paralyzed to then having rods and screws in my neck and not really being able to move around to seeing my body change, I definitely, definitely, definitely did not feel myself at all.
Being an artist doesn't just mean you have a song. That doesn't make you an artist. The word 'artist' means so many different things, and I feel like to be a real one, you really have to do it all. The people that I think of as artists - Tyler the Creator, Childish Gambino, Kanye West - are doing the most.
My father wanted me to be a dentist like him, or any doctor, really. There was this attitude of, 'The civil rights movement was not about you being an artist.'
He was an artist when he saw society: it never crossed his mind that society had to be like this; had any right, had any business being like this. A car in the street. Why? Why cars? This is what an artist has to be: harassed to the point of insanity or stupefaction by first principles.
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