A Quote by John Fusco
I started looking into horse history books and came across the actual story of this half-breed endurance horseman and his painted mustang Hidalgo. I wasn't really sure if I was going to do the movie at that point.
Related Quotes
There is a story in Zen circles about a man and a horse. The horse is galloping quickly, and it appears that the man on the horse is going somewhere important. Another man standing alongside the road, shouts, «Where are you going?» and the first man replies, «I don't know! Ask the horse!» This is also our story. We are riding a horse, and we don't know where we are going and we can't stop. The horse is our habit energy pulling us along, and we are powerless.
I read books all the time. I'm just half looking for something to do; I mostly just read for pleasure. Occasionally I stumble across something that could be a movie, but I don't put a book down just because I don't see a movie in it, either.
When we're in the story, when we're part of it, we can't know the outcome. It's only later that we think we can see what the story was. But do we ever really know? And does anybody else, perhaps, coming along a little later, does anybody else really care? ... History is written by the survivors, but what is that history? That's the point I was trying to make just now. We don't know what the story is when we're in it, and even after we tell it we're not sure. Because the story doesn't end.
I was interviewing an elder, Chief Fool's Crow, who was the ceremonial chief. He was 103 years old. I was getting his information on the history of Lakota horses. He told me the story of Hidalgo and Frank Hopkins.
Imagine if the headless horseman had a headless horse. That would be chaos. I would think that if you were the headless horseman's horse, you would be very confused. "I don't think this dude can see."
If I could rest anywhere, it would be in Arkansas, where the men are of the real half-horse, half-alligator breed such as grows nowhere else on the face of the universal earth.
History is a living horse laughing at a wooden horse. History is a wind blowing where it listeth. History is no sure thing to bet on. History is a box of tricks with a lost key. History is a labyrinth of doors with sliding panels, a book of ciphers with the code in a cave of the Saragossa sea. History says, if it pleases, Excuse me, I beg your pardon, it will never happen again if I can help it.
I started acting when I was 13, but it really wasn't my plan. The actual decision to become an actor was when I was 17, after I didn't act for half a year because I came to an exchange student program in the US, and I realized how much I missed it.
My process for determining which eras I'd write about was to just read history books that gave a really broad overview of Chinese history. And when I came across a historical figure or a historical incident that was especially interesting to me, ideas for characters and stories would surface.
There's an excellent movie we have on TCM called 'It Happened on Fifth Avenue,' which was originally going to be directed by Frank Capra... but just before he was going to start working on it, he came across this story called 'The Greatest Gift.' And that turned into 'It's a Wonderful Life.'
Perseverance is more than endurance. It is endurance combined with absolute assurance and certainty that what we are looking for is going to happen.
I became known as Lily Casey, the mustang-breaking, poker-playing, horse-race-winning schoolmarm of Coconino County, and it wasn't half bad to be in place where no one had a problem with a woman having a moniker like that.
I think some of the best music throughout the actual history of music itself came from cultures where they're not really looking for outside themes. It's developed from their hometowns - it's what they love and what they love to do.
I got on a horse when I was about 12 years of age, and started galloping around. my mother came up said "where did you learn to ride a horse?" I said "this is the first time I've ever been on a horse" I just knew, I just felt the horse.
The knowledge of the nature of a horse is one of the first foundations of the art if riding it, and every horseman must make it his principal study.
I chose Bagdasarian Productions when I heard from some colleagues at work who were buying story boards at the time back in the early '90. I met the man once when I came in with the first half of the story board and the only thing he said when looking at the first half of the board was, "It's so nice to see someone using their imagination."
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