A Quote by John Fusco
We searched around the globe and looked at well over a hundred 'Marco Polos,' came down to the wire, and went back and looked at our Italy tapes, and we realized that we had overlooked someone. That was Lorenzo Richelmy.
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My child looked at me and I looked back at him in the delivery room, and I realized that out of a sea of infinite possibilities it had come down to this: a specific person, born on the hottest day of the year, conceived on a Christmas Eve, made by his father and me miraculously from scratch.
I looked at Randy White... I looked at Klecko. I looked at Gino Marchetti. I looked at a lot of players. Bob Lilly. There are players I looked at over the years when I was a young player and tried to steal a little bit from their game and fit it into my game. And Joe Klecko was someone I thought was a bear to deal with.
With Michael Jackson, what I thought was really interesting was the people saying: 'He looked really well in that final video.' I was, like: 'No, he didn't - he looked like someone had melted goat's cheese over a sex doll.'
I remember reading an interview that Anthony Hopkins had given about how he developed Hannibal Lecter. He said he just looked in the mirror and, I forget exactly what it was, but he looked in the mirror and realized that when he smiled, it looked creepy.
You looked at them and wondered why they were so ugly; you looked closely and could not find the source. Then you realized that it came from conviction, their conviction. It was as though some mysterious all-knowing master had given each one a cloak of ugliness to wear, and they had each accepted it without question.
Way back in the 1970s, I was eating a steak, and I looked down, and for the first time it suddenly looked like flesh to me - like a dead creature. In a flash, I realized that every time I ate any kind of meat, something had been killed for me, and I stopped eating all animals, not just cows and pigs but chickens and fish.
It is an important distinction to note that she looked not only as if she had taken good care of herself, but that she had good reason to have done so. (...) She looked to be in such total possession of her life that only the most confident men could continue to look at her if she looked back at them. Even in bus stations, she was a woman who was stared at only until she looked back.
Where I was brought up, if you were walking down the street and you looked at someone and they looked at you, you acknowledged them.
I'd rather be looked over than overlooked.
It is better to be looked over than overlooked.
In 1951 I took my first art course. And one day I looked over my shoulder and there was this tall gentleman standing, very well-dressed and groomed, and he asked, "What is your name? I don't know you. What is your major?" I said history. And he looked at my drawing and looked at me and said, "You don't belong over there; you belong here." He was James A. Porter.
I believe that it's better to be looked over than it is to be overlooked.
He looked gravely at the king. "It isn't an easy thing to give your loyalty to someone you don't know, especially when that person chooses to reveal nothing of himself. But no matter, Your Majesty. You are revealed at last." The king looked down at his nakedness and back at the captain. "Was that a joke?" he asked.
Charlie had Sophie strapped to his chest like a terrorist baby bomb when he came down the back steps. She had just gotten to the point where she could hold up her head, so he had strapped her in face-out so she could look around. The way her arms and legs waved around as Charlie walked, she looked as if she was skydiving and using a skinny nerd as a parachute.
Well, no. I was getting into trouble messing around with it for roles. So one night I went home, cut it down with a pair of scissors and then got in the bath and shaved it all off. I've never looked back.
An old Arabian fable tells of a prince imprisoned in a castle which had thirteen windows. Twelve of these windows overlooked lovely scenes, while the thirteenth looked down on the black ash heaps of the city. Ignoring the twelve windows, the prince always looked out through the thirteenth. It is so often true that whether a person carries with him an atmosphere of gloom and depression or one of confidence and courage depends on his individual outlook.
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