A Quote by John Gimlette

American travel writing is very healthy. I'm always flicking through the reviews and I see plenty of travel writing - and an impressive line up and continual demand.
There is a whole genre of funny travel writers - that's very popular. There's Bill Bryson and people who follow that route and sell travel writing through making people laugh. It's a very difficult group to take. The line between comedy and mockery is sometimes a bit thin.
The truth is I'm not really interested in travel writing as it's generally conceived, and even less so in female travel writing.
My writing is a combination of three elements. The first is travel: not travel like a tourist, but travel as exploration. The second is reading literature on the subject. The third is reflection.
There is a very big difference between American and British travel journalism, and that's this whole business of the assisted or freebie trip. In Britain we are unashamed about any travel company paying for you to go and then writing about it. That's the only way we can do it. But I have tried the same in the States, and I can't write for any sizeable American newspaper because they tell you to do it on this basis.
Prague is not, strictly speaking, travel writing but it is, among other things, an excellent example of what travel writing is becoming, if indeed it hasn't already done so. . . . People are no longer so easily satisfied by the mere travel impressions of some outsider much like themselves. Instead they gravitate towards writers who actually have lived not simply in, but inside, a location for an extended period, as one lives inside one's clothes.
My three favorite travel writers of all time are Robert Louis Stevenson, Graham Greene, and Chuck Thompson. Smile When You're Lying not only tells the truth about the travel-writing racket, it gets to the heart of some of the travel industry's best-kept secrets.
I've always liked the idea that writing is a form of travel. And I started my writing career as a mystery novelist for adults.
At one point, I wanted to be a wildlife photographer. I also love to travel, so maybe I'd do travel writing.
Unlike many travel books I didn't set out to travel with the idea of writing a book in mind.
Traveling is my priority, because it drives the writing, so I teach around the travel, and sometimes the travel is the teaching.
Trust me: you make a movie about time travel, and you know for a fact humans will never travel through time. The paradoxes that come up just from trying to tell a story with time travel really illuminates the fact that it's impossible. It will never happen. We can barely get through a movie that involves time travel.
I travel to the Middle East, I travel to China, I travel to Europe. It's all very rewarding - the only problem is the travel is getting more and more difficult for me now. Ten years ago I would have enjoyed it a lot more.
I travel with a lot of clothes, which is a really bad idea because it's such a nightmare to travel. I always overpack because I like to bring things with me, and I accumulate stuff, so it piles up. I travel with everything I own.
Writing allows me the time to travel and see the world, which is what I always wanted to do. I'd really like to have been Sir Richard Francis Burton, but it's the wrong century.
He didn’t really like travel, of course. He liked the idea of travel, and the memory of travel, but not travel itself.
I don't know where this thing about me being a travel writer comes from. It's nothing to do with me; I hate travel writing. I don't do it - I do it a little bit, but not much. I don't believe in it. I think it's over. The world is so saturated now that you don't need it.
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