A Quote by John Gimlette

What I really like about Cuba is that you can go into a local bar in a provincial town and you'll get jazz played at the highest standard - played often a cappella, or certainly with no amplification or whatever. Even if you are not knowledgeable about music, and I am not, you can find yourself really enjoying it.
I am a huge fan of movies. It is my favorite thing during downtime. I get completely lost in films. I find them transformative, even one that seems light and popcorn. I get something profound with the right music played with what I am watching. If there is good cinematography and good acting you can find something that really stays with you. I really enjoy being part of that collaborative process. I like making something really big that will be seen in a theater by a lot of people. There is nothing like it.
I became a professional musician and played all kinds of music. I played bluegrass, I played classical music, and for many years, I played jazz.
I love a great melody and wonderful lyrics that speak from the heart, and my music has that and speaks about it; but there's just something that was really raw and energetic about the early House music. It's hard to describe. It's like you had to go to these parties where the stuff was being played on these huge sound systems to really feel it.
We've played so many places where, if you asked people, 'Do you like jazz?' they would be like, 'Not at all.' But I think that if you're really putting yourself out there and really communicating, music can put you beyond people's preconceptions, beyond their playlist.
My father had played cornet, although I never saw him play it. I found his mouthpiece when I was a kid. I used to buzz it. And my mother played piano and sang in the church choir for different functions. So there was always music in the house, jazz, gospel, or whatever. Especially jazz records.
I've played drums since I was 15. My sisters and I all played instruments. I kind of started with piano and then I actually played saxophone with a jazz band in middle school. So, any knowledge I had of jazz music was from playing alto-sax back then.
I actually had a really nice guitar as a teenager. I took jazz guitar, so my mom bought me this probably $1,600 guitar. But I got really into garage rock and local bands, and I noticed they played really crappy guitars. So I thought, 'Hey, I should get a crappy guitar, too!'
My thing was, I loved music. I played music: I played the saxophone. So the little bit of music knowhow I had, I tried to implement that in every thing I did, from my style, my cadence, the way I tried to pause and stagnate it; that all came from John Coltrane and listening to jazz albums. Trying to rhyme like a jazz player.
On the road you can really be more regular about it and work it into daily routines. There's no town that doesn't have a gym. And if you find one that actually doesn't, you can go to the local high school. They always have one.
It was never a case of male and female when I was growing up. I played with my cousins, my friends. From a young age, I played on the local streets, just with my neighbours. The majority would be boys, but a couple would be girls, so I never really thought too hard about it.
I played Woodstock in '69, and it really changed my life. Without a doubt, it was the single event that really changed the way I felt about music. Up to that point, I hadn't really thought of myself as more serious musician, and I didn't really have that much interest in pop music.
Oh, I was a real Nirvana kid. I got into jazz because I listened to a lot of metal, Megadeth and that, and those guys play really fast and are virtuosos. I wanted to learn more about it, and I discovered that a lot of jazz guys played really fast, too.
I like this town, it's really great. They've put me in The Nashville Songwriters Hall of Fame. This town is about music. It's about the kind of music I like.
I love artists making cool music, regardless of the style.So, if a country artist making really cool music came along and asked me to work with them, I just might say yes, even though I'm not super-knowledgeable about country, like I am about hip-hop. I might do that because the idea is so interesting.
[Manhattan School Of Music] didn't' have a jazz undergraduate program at the time so I played a semester in the big band. There was a graduate program. But I wasn't really that involved in jazz yet.
The British often shy away from any cinematic interpretation of real sex. They sometimes have what I call "subtle sex," which is really introspective and has soft music in the background. Either that or it's played for comedy. The British are kind of hung up about sex. They find it kind of titillating and they make jokes about it because they're nervous.
This site uses cookies to ensure you get the best experience. More info...
Got it!