A Quote by John Glenn

The political graveyards are full of people who don't respond. — © John Glenn
The political graveyards are full of people who don't respond.
The graveyards are full of indispensable men.
There is no need to respond to whatever your most powerful and unaccountable political opponent says you have to respond to, particularly on their own corrupt and partisan terms. Treat them as your primary political opposition, because they are.
Loyalty is a fine quality, but in excess it fills political graveyards.
New!Loyalty is a fine quality, but in excess it fills political graveyards.
The civil-rights movement was completely impossible to achieve. But look at what ordinary people were able to do because they were willing to sacrifice their lives to stay with it. They didn't expect a political process to respond to them. They made the political process respond to them. To say "It's so bad I won't bother" is to give up on your children and give up on your future.
You either believe that people respond to authority, or that they respond to kindness and inclusion. I'm obviously in the latter camp. I think that people respond better to reward than punishment.
If you create something that is asking for people to respond as they're going to respond, you have to allow them to respond as they're going to respond. Some of the people are going to be uninterested and some people are going to be mad for some reason, which is their business. That's just the way the world is.
When I was younger, I loved graveyards. They weren't spooky so much as mysterious. Each tombstone another story to uncover. Another life to learn about. Now that I'm older - I won't say how old - I hate graveyards. The only life - or rather death - I see in the tombstones is my own.
The bookstore was a parking lot for used graveyards. Thousands of graveyards were parked in rows like cars. Most of the books were out of print, and no one wanted to read them any more and the people who had read the books had died or forgotten about them, but through the organic process of music the books had become virgins again.
I took a political stance early on, but I don't think my work is overtly political. I respond to events.
I dealt with people with diverse political views. If you find people who are your political opponents, and talk to them for an hour, chances are you're going to like them, and they're not full of hate.
Towns are full of people, houses full of tenants, hotels full of guests, trains full of travelers, cafés full of customers, parks full of promenaders, consulting-rooms of famous doctors full of patients, theatres full of spectators, and beaches full of bathers. What previously was, in general, no problem, now begins to be an everyday one, namely, to find room.
I like visceral writing that people can't help but respond to, even if they respond, and they're shocked, or they're angry, or they're offended. I think that's the only way to reach people.
Women's humor seems to be a little more supportive. It's just kind of trying to make the other one laugh through funny voices and kind of talking about other people. I respond to that. I feel less like I'm going to get beat up in a room full of women than I do in a room full of guys.
The Craft was what it was. People who respond to that movie respond to it really strongly.
Political novels are full of pitfalls, particularly for a novelist with strong political leanings.
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