A Quote by John Goodman

I flew into New York for the Raising Arizona audition, and we just started joking around. — © John Goodman
I flew into New York for the Raising Arizona audition, and we just started joking around.
I started in theater when I was 14 in the Henry Street Playhouse on the Lower East Side in New York. You hustle, you beat the sidewalk, the pavement - audition, audition. I just started working around town everywhere. I mean everywhere - the Village, Harlem, you know. Brooklyn Academy Of Music. Just job after job.
I always considered myself a songwriter, but I didn't move to New York with plans of doing that; it just sort of happened. Everyone thinks that I moved to New York strictly to play music, but I totally just happened to fall into playing with Woods, and it all got started from there. I just went to New York to hang out.
When I was 20 years old, my mom flew me for my first Broadway audition for 'The Color Purple,' and I only found out about it because I knew that Fantasia was in it, and so I went online to ActorsEquity.com. I was not a part of the union, but I flew there for the audition, and the next week I made my Broadway debut!
I actually started playing in little cafes around New York, and I have a lot of good friends of mine who are musicians who are struggling in New York.
I'm from New York, and I started in New York, which I think is a huge advantage because I wasn't overwhelmed by the city. I understood the city. All of the distractions that could come with somebody that started comedy in New York didn't really happen for me.
When I lived in New York, there wasn't as much TV or film around. I got asked to do a couple of indie films, just based on me being from The Smashing Pumpkins and A Perfect Circle. I did a couple of indie movies from Japan and one from Canada, and I thought it was an exciting, fun thing to do. I had a great time doing it, it was just that, in New York, there really wasn't as much. My studio in New York closed, so I moved out to L.A. and just started looking into composing as another thing to do, as a musician. I like it a lot. It's fun and it's a different way of thinking about music.
I started out in New York, and New York has a way of countering a Southern accent, naturally; when I moved to Los Angeles for a job, and I just stayed, the dialect out here doesn't really counter, and my Southern started coming back.
I took a plane from New York City to Los Angeles for an audition. I met all the people. After that, I was told to have another audition, but I didn't want to go there again.
I'm from New York and I love New York and I'm always repping New York, but what I represent is something deeper than just being a New York rapper.
Woody Allen stayed so good because he never left New York. Howard Stern stayed so good because he never left New York - Mel Brooks when he just got out of New York was doing 'Blazing Saddles;' when he left New York he started doing stuff like 'Robin Hood Men In Tights' - he was in L.A. too long. He lost the edge.
I started out doing musical theater specifically - I thought I would eventually move to New York and audition for stuff, and maybe wind up on Broadway or something. Well, that didn't happen.
I used to be a wonderful auditioner. When I was living in New York, I'd audition every day. And I like to audition. But then it got to a point where I didn't like it anymore.
When you audition for shows in Hollywood, you go in, you do your scene, maybe you get an adjustment. It's sort of easy, and a lot of times it just feels sort of rote and simple. Whereas when you go to New York and you audition for plays, you walk out sweaty and intimidated and nervous and doubting yourself as an actor.
I love shopping in New York just because you walk around and find a little store you've never saw before, and you're like, 'Oh what's that? This is my new favorite place.' I love that about New York.
I have a shrink in New York and a shrink in Arizona, just in case. You never know when you will have a breakdown.
I just started playing around different clubs, and I got a good reputation around New York City of having good timing, a good right foot, and I was "funky", "soulful", and all that stuff. Then I ran into this group, the Pigeons.
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