A Quote by John Goodwin

Theater people work by instinct. I've never known a really calculated artistic decision. — © John Goodwin
Theater people work by instinct. I've never known a really calculated artistic decision.
...I have never known a movement in the theater that did not work direct and serious harm. Indeed, I have sometimes felt that the very people associated with various uplifting activities in the theater are people who are astoundingly lacking in idealism.
In the commercial theater, I've been pretty fortunate. The producers that I've worked with have allowed me to define the artistic integrity, the artistic limits of the work.
In each verse, a decision awaits us, and we can't choose to close our eyes and let instinct work on its own. Poetic instinct consists of an alert tension.
The ability to make a truly artistic photograph is not acquired off-hand, but is the result of an artistic instinct coupled with years of labor.
I've rarely done anything that's overtly self-destructive without consciously knowing what I'm doing. And then of course, the astute journalist jumps forward and says, "Why are you being calculated?" Calculated seems to assume a sinister intent. My intent is always for artistic effect.
I have always wanted to work in the theater. I've always felt the glamour of being backstage and that excitement, but I've never actually done it - not since I was in 5th grade, really. But I've had many plays in my films. I feel like maybe theater is a part of my movie work.
I've been working in theater, really, since about 1965. I started working with the Mabou Mines about then, and in a way I've always worked in the theater, but it's never been a main part of my work. And it wasn't until Einstein that I kind of shifted into high gear with theater, working with Bob, with Bob Wilson. And since then I find it a very attractive form to work in. It's just an extension of my work.
I just don't have that natural instinct to be able to let my guard down and start speaking to people. I never have - I've always been a bit socially awkward, even with people I've known for a long time.
I've always loved film more than theater, and film may be more closely related to making a record because you have that ability to go in and do your work and have no judgment around it, and feel honest. Then, much later, it's presented to people. But in theater, people come backstage after a performance and you're about to do the same play again the next night, and people say, "Well, I didn't really believe that emotion" or whatever. It's really hard for me, I like to be closed up and just do the work.
Theater will never, and never has, gotten audiences like film. But theater goes to work on society in a different and more subversive way.
The Jews are an artistic people. It's clear from the music, the actors, the writers. They are just artists. In the early part of the 20th century, when they first came over, they had no money, but they still went to theater. The theater and education were the two biggest things in their lives.
I've never been reckless - it's always calculated. I'm mischievous, but I'm calculated.
Chicago theater vs. New York theater. There's just nothing to say about it really. If you've seen Chicago theater, you know that the work is true to what is there on the page. It's not trying to present itself with some sort of flashy, concept-based thing. It's about the work, and it's about the acting you're about to watch. So acting-based theater feels like it was born there to me.
The assumption that people sometimes make is that I have made a cold, calculated decision to put my career ahead of having family, and that's not true.
making a decision was only the beginning of things. When someone makes a decision, he is really diving into a strong current that will carry him to places he had never dreamed of when he first made the decision.
I've always been really artistic. I went to an all-girls private Catholic school, and one of their biggest things was musical theater.
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