A Quote by John Gordon Sinclair

I'm a working-class former apprentice electrician; at the age of 14, if you'd told me I would one day be standing on a stage with Mel Brooks, I'd have thought you were off your head. But these things can happen.
I had a healthy curiosity and would try things on - play lots of practical jokes. But it was more in my head - fantasies of "What would happen if...? Like what would happen in class if you took all your clothes off and you ran around the room?
Id like to acknowledge three people who early on knew Mel Brooks was one of the funniest people in the world: Sid Caesar, me, and Mel Brooks.
With Mel [Brooks], only one time and that was later on during "Young Frankenstein" - never with Zero [Mostel] and never with Mel except I was writing every day, and then Mel would come to the house and read what I'd written. And then he'd say, yeah, yeah, yeah, OK, yeah, OK. But we need a villain or we need whatever it was.
The headmistress was a very well-respected theater teacher. She taught me what stage left and stage right were, what a director was, and what all these things meant, which was something I had no concept of. She sent me off to drama school, at age 18, and I stayed there for three years. Before I knew it, I was working on a TV show.
Cara, ever since you told me at the age of four that you wanted to be Claudia Schiffer, while you were naked in the bath with a sponge on your head, I knew you were destined for great things.
If I hadn't made it as a footballer I would have been an electrician. I studied to be an electrician even though I was progressing at football because you never know at that stage if you are going to be there for sure.
We were filming the West Wing on the set one day in DC and Madeleine Albright comes by the set. I mean, when does that happen? You turn around and there's the former Secretary of State just sitting there. After the Clinton administration finished we were filming right outside the White House and John Podesta comes walking up while we're out there filming. Just strolling by the set - the former Chief of Staff! Things like that would happen all the time.
Silence in the turmoil of the theater world made me survive 50 years without speaking on a stage, only to say 'No' in Mel Brooks' film, 'Silent Movie.'
I think there are many people in the working class who say, you know what? Yes, maybe we are better off than we were eight years ago, but I am still working two or three jobs, my kid can't afford to go to college, I can't afford child care, my real wages have been going down for 40 years. The middle class is shrinking. Who's standing up for me?
They wanted me to play third like Brooks so I did play like Brooks - Mel Brooks.
I could always improvise. Some of my teachers remember me standing in front of the class with a flower on my head, talking about photosynthesis. I'd stop and say, 'Is this working for any of you?' The kids were like, 'What is he doing?'
My uncle was 16, in junior high, and he heard me singing and snatched me off the stage. I thought he was happy and was going to pat me on the head and say I was good. But he took me home and told my grandmother this youngin' was at school singing the blues.
Mel Brooks is one of the few authentic geniuses working in comedy in America today.
If they would have told me when I was just 18 that I was going to have a career that would last so long, I'd have said it was impossible, that it was crazy that that could happen in my life, so I'm happy to be here. To be able to go out on stage every day.
[My father] taught me (at least he showed me) a dignified way to be a former president is that once you're off the stage, you're off the stage.
I grew up on Mel Brooks films. That was film to me until I got a little bit older and realised there were other kinds of movies.
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