A Quote by John Gordon Sinclair

I think the problem I have is that first impressions are the ones that stick with people. And people's first impressions of me are obviously from the film, from 'Gregory's Girl.'
Our first impressions are generated by our experiences and our environment, which means that we can change our first impressions... by changing the experiences that comprise those impressions.
First impressions matter. Most people don't change their political views radically from the ones they first hold.
I think what happened is that everybody's impressions got formed in those first few minutes. And I felt like, by the latter part of it, I kind of clawed my way back into the discussion. But everybody's impressions were set at the beginning. And wholly apart from me and whether I was good or bad, you know, there were a lot of hostile questions.
People sometimes talk about the power of first impressions, and believe me, there is truth to it.
We are all the subjects of impressions, and some of use seek to convey the impressions to others. In the art of communicating impressions lies the power of generalizing without losing that logical connection of parts to the whole which satisfies the mind.
Make sure you're doing impressions of people that are still relevant, and that everyone knows. Red Skelton impressions are a little outdated.
People tend to hold on to their first impressions - that's why those first descriptions can be so important. You don't even necessarily look at people that carefully after a while; you just hold on to that early impression.
In the movies first impressions are everything. Or, to put it less drastically, in the movies there are no later impressions without a first impression, because you will have stopped watching. Sometimes a critic persuades you to give an unpromising-looking movie a chance, but the movie had better convey the impression pretty quickly that the critic might be right.
Both my parents are immigrants. I've seen different struggles they've had. There's a reason you don't see me using accents. I don't do impressions of my folks. When I'm doing a crappy impression of my folks, and you're laughing, I'm thinking, 'When my parents talk to people, when they walk away do people do impressions of them? Do they laugh?'
I know acting is not impersonating, but I'm good with impressions. I can do impressions of people I know, and people I've been, and roles that I've acted before.
Eventually, all of our impressions will be dead. That's one of my favorite things about Paul F. Tompkins' 'Dead Authors' podcast is to be able to do impressions of people you've never otherwise think to do or get to do. I did Walt Whitman on there, and that was really fun.
I know a lot of people who thrive on self-tapes, but for me, it does come down to first impressions. I like to be in the room, I like to talk to the people I'm acting with.
With me it's always about first impressions.
I think first impressions are important when you pick up a script.
It's pretty simple, pretty obvious: that people's first impressions of people are really a big mistake.
I'm very wary with impressions - I don't think I'm very good at impressions, I hate doing them.
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