A Quote by John Gourley

My favourite piece of music is actually 'The Dark Side Of The Moon' as a whole. For me, it's the most perfect and brilliant example of rock song writing. — © John Gourley
My favourite piece of music is actually 'The Dark Side Of The Moon' as a whole. For me, it's the most perfect and brilliant example of rock song writing.
'Close to the Edge' is the album where we first attempted to do the extra-long-form piece of music, having one song taking up the whole side of a piece of vinyl.
Magne Furuholmen is a very dear friend of mine. A-ha are a classic pop band and they've got some brilliant songs. I'd say 'The Living Daylights' was one of my favourite Bond tunes: regardless of it being a Bond song, it stands alone as a great piece of music.
When I became a 'rock musician,' I assumed pop music was easy to write and that interesting rock music, or alternative music, was hard. It was only later I realised that writing a pop song is the hardest thing musically.
Me personally, I side more with punk rock bands. I grew up with The Misfits, The Dead Boys, The Damned, Dropkick Murphys, and early AFI. That was the stuff that really got me into music. Song writing wise, bands like Alkaline Trio were very important to me for beginning to write songs.
I'd love to do something like put a piece of moon rock on Mars and a piece of Mars on the moon, a sort of reverse archaeology.
Music actually inspires me a lot. I listen to a lot of music, and often I find that if I can associate mentally a song or a piece of music with a particular character or scene, it helps me get back into the head of that character.
I tend to support and get behind issues instead of candidates, because of the whole 'Super Bowl' generalization of our world - You're on this side, I'm on that side; you're a Republican, I'm a Democrat; you're country music, I'm rock music.
First, I started with music singing, writing songs, playing music. Later, I got into acting. I'm not a brilliant musician or a brilliant actor. But, to me, they're still great vehicles for expression.
I don't like it when people ask me what my favourite Beatles song is. I always get that. First of all, I don't like having to pick a favourite thing anyway. You can't pick a favourite Beatles song! What about "Strawberry Fields"? What about "Lucy In The Sky With Diamonds"? What about "Tomorrow Never Knows"? Come on. That question is small minded to think you could even have a favourite Beatles song.
Classical music is far from boring - it has all the blood, energy, the sinister dark side, rhythm that rock music has, and all the refined, subtle sensuality that one can ask for
I would pretty much like to forget the music that happened to me between the ages of eight and 11, so I'm going to say the first album I bought was the special edition of 'Dark Side of the Moon.'
We search out the most perfect pieces of rock. It's so amazing that these formations are so perfect for climbing on. It's almost as if they were created for climbing. You're taking these random rock formations and you're bringing to it this interaction. It transforms it from being this random rock into almost this piece of art. It's almost like a sculpture or something. Just by finding the handholds, finding that line up the rock. Every climb is different, has its own unique set of movements and body positions. Climbing and my appreciation for nature are totally intertwined.
I grew up listening to all kinds of music, everything from country to rock, pop, R&B and even rap, so for me, music is music and a great song is a great song.
Not that anyone minds--no one's paying attention to the music. Most of them never really listen to music. Practically no one actually does. Even at concerts people pay good money for, instead of a three-dollar cover charge, they talk through the whole thing. I feel sorry for them, since none of them understand what it's like to have a song just get into your soul and become your whole world. They don't know what it's like when a song changes your life.
At the end of the day I'm not just sending beats in. I'm mixing the song. I'm recording the song. I'm engineering the song. I'm in the studio helping with the songwriting. I'm doing the whole beat - every single piece of it is me.
Rock-and-roll was an example of change in the body of the culture. I think it's really what helped bring the anti-war movement to its peak and moved people into the streets to seize the day - the movement was the embodiment of what was happening in the music. This is what taught me that it was possible to bring art and activism together. Without that piece, that energetic embodiment piece, the rest is just intellectual construct.
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