A Quote by John Gourley

Portugal. The Man, to me, doesn't have any real ties. We try to change things up with every album, really progress, and let things happen. — © John Gourley
Portugal. The Man, to me, doesn't have any real ties. We try to change things up with every album, really progress, and let things happen.
Every company needs to have a skunkworks, to try things that have a high probability of failing. You try to minimize failure, but at the same time, if you're not willing to try things that are inherently risky, you're not going to make progress.
With my solo music, I really try to step out of the box and do stuff I don't get to do with the boys. I wanted it to be fun, rock-infused and try some new things while going back to my roots. "All American" the song is one of my favorites from the album, which is why I chose to title the album after it. To me, it's the perfect song to represent the feel of the album.
You always have to try new things, and that's the one thing that we've learned from all the greats - every album isn't gonna be every fan's favorite, but as long as you keep switching it up and making new fans, it's really about being persistent.
A lot of times as writers, you want to come up with the best possible story, and you bend it according to what you want to happen. I think one of the things that I always try to think about is what would really happen in a situation, what feels real.
After all, it was only a story,' I said, determined to prove her wrong. 'All manner of terrible things may happen in a story. They may be startling at the time, but it passes. One gets caught up in the narrative, but the dangers aren't real, are they? Things happen in any way the storyteller chooses. It is all just made up.
bad things, like good things don't happen any more often than they ought to by chance. the universe has no mind, no feelings, and no personality, so it doesn't do things in order to either hurt or please you. bad things happen because things happen.
You can do things in every part of the world. You can do things in every discipline. You can do large things, you can do small things. But it takes a while to figure out what you actually want to do. And it changes. As you change your interests and desires in philanthropy change, I think you have to be open to that change.
People sometimes say that the way things happen in the movies is unreal, but actually, it's the way things happen to you in life that's unreal. The movies make emotions look strong and real, whereas when things really do happen to you, it's like you're watching television -- you don't feel anything.
One of the things that really impressed me about Anna Karenina when I first read it was how Tolstoy sets you up to expect certain things to happen - and they don't. Everything is set up for you to think Anna is going to die in childbirth. She dreams it's going to happen, the doctor, Vronsky and Karenin think it's going to happen, and it's what should happen to an adulteress by the rules of a nineteenth-century novel. But then it doesn't happen. It's so fascinating to be left in that space, in a kind of free fall, where you have no idea what's going to happen.
Truth must be told-and things must change! If words are not about real things and do not cause things to happen, what is the good of them?
Things change. I used to have a real resistance to it and hold on to things, but let things happen and go with it, and you will actually go through it, and it's a lot less stressful.
People think with climate change what's going to happen is things are just going to get hotter. But that isn't really the whole story at all. One of the things that has happened in the past when the climate has changed a lot is that the glaciers melt, and so the weight on the tectonic crust is different, and that's the definition of an earthquake. If the tectonic plates are springing up or being pressed down, that's when earthquakes and volcanic eruptions happen. So every scientist I spoke to who had studied this thinks that we're in for a wild time.
If you raise your standards but don't really believe you can meet them, you've already sabotaged yourself. You won't even try; you'll be lacking the sense of certainty that allows you to tap the deepest capacity that's within you... Our beliefs are like unquestioned commands, telling us how things are, what's possible and impossible and what we can and can not do. They shape every action, every thought and every feeling that we experience. As a result, changing our belief systems is central to making any real and lasting change in our lives.
The violence in New York feels really mundane and banal to me. Whereas in the privacy of one's own home, say, like the farm I grew up on in Vermont, the kinds of things that can happen seem much more extreme. Maybe because it's more personal. Or maybe because you block out the things that happen in the city. But it's like seeing things born, live, die, fall apart, and start over again, without any intermediary clean-up steps from some corporate organization.
I tend to avoid melodrama. I try to create very realistic settings and very realistic experiences and realistic responses to these experiences. Melodrama is the use of really big events that may or may not happen in real life - certainly they do, but they're not events that are common to most people. Most of the things that happen in my novels are things that could happen to people in real life.
I think one of the most important things, that this album is for me, and this period in my life, is about gratitude. About recognizing all of the things, daily, that I'm grateful for, and there are many in my life. I'm just so blessed, and I try to carry that with me every day.
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