A Quote by John Gourley
The reason I got into music was obviously because of bands like The Beatles and Pink Floyd, things like that.
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I got into music by happenchance and luck and wearing a t-shirt with "I hate Pink Floyd" on it. The irony has never failed to amuse me ever since because I didn't hate Pink Floyd at all! And yet you have an entire range of people out there believing that the best thing you can do in life is to hate Pink Floyd. Come on, It's because it's the world I live in!
I got my influences from 70s bands - Zeppelin, Pink Floyd, blah blah blah. When I was growing up, we had all these crazy bands on the Top 40. Today, if Pink Floyd released "Money", it wouldn't even get played.
I got my influences from '70s bands - Zeppelin, Pink Floyd, blah blah blah. When I was growing up, we had all these crazy bands on the Top 40. Today, if Pink Floyd released 'Money,' it wouldn't even get played.
Generally speaking, I like all music, but Pink Floyd and Muse are my favorite bands.
When I get 13 or 14 years old, I get crazy with rock music, like, like, deeply crazy. And one of my favorite bands at that moment was, for example, like - bands like Metallica or Led Zeppelin, Black Sabbath, Pink Floyd and Santana, you know? And then I start to play metal, actually, when I was - at the age of 15.
So by the time the 60s rolled in that became a huge art form in its own right with bands like the Beatles and the Rolling Stones and Hendrix doing total concept albums, same thing with Pink Floyd.
I got introduced to Western music and it inspired me. One of my favourite bands is Pink Floyd.
That's what bands like Pink Floyd and bands like Rush and even the Metallica of this world have, which is long, ambitious songs that pull in all different directions.
Life is a musical influence in my experience. But as far as actual music and actual bands, uh, I'll just look at my little collection here. Let's see. Bob Dylan, The Beatles, Pink Floyd, U2, The Talking Heads, Prince and the Revolution, Michael Jackson's Thriller was a huge one.
The first songs I learned was 'Crazy' by Patsy Cline and 'At Last' by Etta James. I had been growing up with the Beatles, Pink Floyd, great bands.
When punk came along, I found my generation's music. I grew up listening to the Beatles and the Rolling Stones and Pink Floyd, 'cause that was what got played in the house. But when I first saw the Stranglers, I thought, 'This is it.'
Pink Floyd and Yes and some of the old art-rock bands, you didn't know what they looked like. You were always looking for pictures, and that added to the mystique. It's much more interesting when you're forced to imagine or guess at these things because usually it's better than reality.
For the name Lion Babe, we are a little avant-garde, a little left. And with bands like Blondie, Pink Floyd, or Jamiroquai, you don't know they're bands, you just kind of hear the name and you're like 'What is it?' so that was the kind of thing we wanted to do.
I tend to listen to the artists that originally inspired me to start playing music in the first place, because there is a multitude of wisdom that can be gained by bands like Black Sabbath, Depeche Mode, Pink Floyd and the Cure. I think if we were to pay close attention to what's on the radio right now then we'd lose our identity entirely.
We're not ignored by The Guinness Book Of Records, but we've been largely ignored by the media during our lifetime. If you read any article, no mention is ever made of Pink Floyd. We're never included in the same sentences as The Beatles, The Rolling Stones and The Who. I wrote 'The Wall' as an attack on stadium rock - and there's Pink Floyd making money out of it by playing it in stadiums! Pathetic. They spoiled my creations.
That's always attractive to me, to work with music whose form is a big question mark. Even many of my favorite bands growing up, when I was just a kid learning to play drums and guitar and everything, were bands like Pink Floyd, where the arrangement, the number of bars in each section is unconventional and often lopsided, and there will be small little instrumental interludes and that sort of thing. So those odd forms, as well as dark content, are the things that I think are continuous through all the type of projects that I've been attracted to.
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