A Quote by John Grant
I could probably use some tips from a vocal trainer or something about breathing, but we all know it's not about technical prowess.
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MacGyver of course, that's probably my favorite show of all time, because it was a guy who was so, so smart and could use his wits, and his technical know-how could get him out of any situation. There's something about the adventurer aspect of that show that I loved, that he went on all these great missions and saved people without having to use guns or anything like that. And I think that show might even be coming back, too.
A remarkable thing about the Silicon Valley culture is that its status structure is so based on technical accomplishment and prowess.
The great thing about 2017 is that, because of the terrible political state that we're in and that America is in, young people are so vocal at the moment about so many issues, from racism to LGBT rights to beyond. I feel like - especially when I look at my fan-base - people are so vocal about their opinions and so vocal about spreading love. That's really important, and I think it's really amazing that people are talking about that. I just want that to keep happening.
I want my music to be something that people use in order to access parts of themselves. So in that sense, every piece I write is about all emotions at once, about the lines in between. It's never only about one thing or another. It's emotionally getting at those things that we can't really describe - things for which we don't have labels. So yes, it's about something, and it has a use. It's neither about nothing nor about something concrete - it's about what you bring to it as a listener.
You know how it is with some girls. They seem to take the stuffing right out of you. I mean to say, there is something about their personality that paralyses the vocal cords and reduces the contents of the brain to cauliflower.
No matter how non-technical your life and work, you're going to have to interact with technology and technical people. If you know something about how devices and systems operate, it's a big advantage.
The qualities which technique requires for its advance are precisely those characteristics of a technical order which do not represent indivisual intelligence...The individual, in order to make use of technical instruments, no longer needs to know about his civilization.
Could you not give me some sign, or tell me something about you that never changes, or some other way to know you, or thing to know you by?" — "No, Curdie: that would be to keep you from knowing me. You must know me in quite another way from that. It would not be the least use to you or me either if I were to make you know me in that way. It would be but to know the sign of me — not to know me myself.
I'll think about something else. I'll just sit quietly. If I could sit still. If I could sit still, maybe I could read. Oh, all the books are about people who love each other, truly and sweetly. What do they want to write about that for? Don't they know it isn't true? Don't they know it's a lie, it's a God-damned lie? What do they have to tell about that for, when they know how it hurts?
I really liked the idea of creating a journal myself. It's like the way I clear my throat. I write a page every day, maybe 500 words. It could be about something I'm specifically worried about in the new novel; it could be a question I want answered; it could be something that's going on in my personal life. I just use it as an exercise.
At times, I can be vocal about what I think people want to hear as opposed to being vocal about what I really feel.
I've told Michael Jackson jokes. If you got really technical, you could say those are jokes about child molestation. You could, if you got technical. A lot of this is just selective outrage because honestly, the audience are the ones that tell us that something shouldn't be spoken. The audience lets us know. And I've never, in my almost 30 years of being a comedian, seen a comedian continue to tell a joke that the audience doesn't respond to. I've never seen it.
I'm talking about technical goofs. I'm pretty much on top of it. The kind of picture you're referring to would have to be more about the effects of technical things, technical phenomena, and I'm just not interested in that kind of work at all.
We all, to some degree, wish we could have some element of our childhood back again while, for kids, moving on is something they're worried about. They know it's going to happen at some point.
Whenever I enter a position, I have a predetermined stop. That is the only way I can sleep. I know where I'm getting out before I get in. The position size on a trade is determined by the stop, and the stop is determined on a technical basis... I never think about [stop vulnerability], because the point about a technical barrier - and I've studied the technical aspects of the market for a long time - is that the market shouldn't go there if you are right.
When I start on a book, I have been thinking about it and making occasional notes for some time... So I have lots of theme, locale, subjects and technical ideas... I don't worry about long periods of not doing anything. I know my subconscious is busy.
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