A Quote by John Grant

It really was an amazing thing when Midlake brought me down to Texas and created an atmosphere in which I felt really safe and was able to do whatever I wanted artistically. — © John Grant
It really was an amazing thing when Midlake brought me down to Texas and created an atmosphere in which I felt really safe and was able to do whatever I wanted artistically.
What's really amazing is that the showrunner who really got me my start in TV is Andrew Kreisberg. He brought me on to 'Arrow,' and he tracked me down because he was a fan of 'Punisher.'
I don't think I ever really felt comfortable with photography as my sole medium. But it wasn't really until I became a mother - I really credit that to opening me up artistically, I think because it was such an empowering birth for me - it gave me the confidence to explore different modes of expression.
I've had a lot of people come up to me after shows and tell me that "Dollhouse" really helped them with whatever they were going through with their families. I thought that was really amazing, that it could mean one thing for me but another thing for someone else.
Fandango is not really a Western. It's really just set in Texas. It's a road picture. And then I did one that hasn't come out yet called Kreep, which is set in Texas, but it's not really a Western. But it has a more rural-Texas feel to it.
Being in New York, and meeting really amazing, talented, eccentric, and bold people, and just feeling really excited about life, got me really revved up and I just felt like everything was at my fingertips - that I could try anything. I really felt invincible. It was such a shift.
I really wanted to do some serious work. I really wanted to be a part of dramatic films. I wanted to show this talent, whatever that means, that I could be a dramatic actress as well. But the truth is, a) I don't know if I can, and b) I love doing comedy, and I felt almost a little embarrassed that I succumbed to the pressure. Vanity is really what it is. I feel really grateful that I am in comedy, and I love doing it.
So in that way, fame has become a weirder thing to go after, but the thing about me is I've never been after fame. That sounds cliché, but it's true. I think fame sounds uncomfortable to me, but being able to like write this book and make my living doing very exciting, creative stuff sounds really amazing. It has been really amazing.
I'm really lucky. I never really felt like LA was the Mecca, that you "made it" if you made it somewhere else. I've been a journeyman actor for my whole career. I just sort of went where I was invited. I worked the early part of my career in Canada before I had the luxury of doing an American series, which brought me down to LA.
My art teacher was really encouraging me, because he really liked that I could draw. I felt very torn. At that time, I had to pick one, and I felt much more confident in the arts than I did in chemistry. My big thing was that I actually wanted to be like Jacques Cousteau.
I really loved when Prada Sport came into fashion, which kind of created all the nylon which she had for quite some time. You also wanted a Prada bag, you wanted a Prada shoe, not that you don't today, but that craze for Prada accessories was really big. It was a really big deal.
The amazing thing about the winners is that none of them really felt that they were doing anything special. They just felt like it was the right thing to do.
We like the ambiance and atmosphere, and we felt really early that... I mean, of course, Air is an electronic band, but we are doing so many real recordings and the studio is so important for the sound. The acoustics create atmosphere and emotion. Also we want to be independent, we don't want to be obliged to go into a commercial studio and only stay one week because it's really expensive. We want to be able to give a chance to a song, and to spend a lot of time in the studio.
I don't like staying in hotels. I like to be in my own bed. San Diego as a city is really awesome. The only hard part of it for me is that I'm away from my family and my house. But as far as shooting down there, we get amazing locations, and the crew is really, really stellar down there. They are really fun.
A lot of people thought I got famous as a studio artist, then decided to cash in on it. But it actually was just a matter of survival for many years, and I felt it was really important for me to be able to say whatever I wanted with my street art and fine art.
I can completely lose myself into just absolutely satisfying things - a really amazing cheeseburger, a pizza, good fries, a beer. I enjoy being comfortable and eating whatever the hell I like. It's a big thing for me, just having the freedom to be able to do that.
I love the sport of tennis, but I sort of got a little bit away from what I really wanted to do. It became robotic for me, and that's not what I wanted. It's such an amazing sport, and I just really wanted to enjoy it, and I lost that enjoyment and that passion.
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