A Quote by John Grant

Becoming a musician was all about escape. It was about getting away from the foulness that was me. — © John Grant
Becoming a musician was all about escape. It was about getting away from the foulness that was me.
Escape is not about moving from one place to another. It's about becoming more.
If you become a chef because you're obsessed by becoming a celebrity, getting my ass kicked and working my nuts off the way I did in France and getting pushed around those kitchens wasn't about becoming famous.
If all we ever sang about was how happy we are, we would be lying to ourselves. People try to escape their problems by getting drunk, partying and dancing them away. What really heals me is to sit down and think, face the facts, then you can get over it and be happy
I never really thought about becoming a professional musician.
So, anyway, I think the format of love songs for me stopped becoming about people and started becoming about life.
It's about learning your craft. That's a wonderful thing--especially with today's consumerism and instant gratification. You can'tbuy that. It's about making decisions, corrections, choices. I don't think it's so much about becoming a tennis player. It's about becoming a person.
One moment I'm perfectly fine and the next I feel a wave of nausea, then panic. Then I can't catch my breath and I know I'm about to lose control and all I want to do is escape. Except that the one thing I can't escape from is the very thing I want to run away from... me.
It's not about getting what you want. It's about experiencing what you really need by becoming more.
Life is not about having and getting. It's about being and becoming.
Of course, I would be depressed sometimes, and my Mom would be worried about me because I would just sleep to escape. Cause I was so scared of being a musician or artist, or whatever you want to call it.
Healing may not be so much about getting better, as about letting go of everything that isn’t you - all of the expectations, all of the beliefs - and becoming who you are.
I'm a very typical yoga-practicing musician; I do it when I can. I'm not hardcore about it. A lot of my lyrics talk about celebrating life and working through pain. I think that's what yoga's about, getting rid of, moving energy and letting it flow through you.
I don't wanna talk about Teo [Macero]. He's a helluva musician, a brilliant musician, but he's just not for me, that's all. I can elaborate on it, but I don't want to do that.
For me becoming a painter was an Everest, in terms of what I thought a painter was. There are many roads to becoming an artist. For me it wasn't art school. I didn't have that go to art school and then get a gallery. It's more like, how deep is your inner library to cull from. It's certainly not about technical prowess, just about depth of investigation. It takes time. I had 15 years of painting under my belt before my first New York show. I was glad to have that. It's a good thing to spend your twenties getting your craft.
I'm really clear about what my life mission is now. There's no more depression or lethargy, and I feel like I've returned to the athlete I once was. I'm integrating all the parts of me - jock, musician, writer, poet, philosopher - and becoming stronger as a result.
What's funny about the slacker thing, people project an image of what they think a musician is: young, slack, unemployed - like a really romantic idea of a poet, writer or musician - which isn't really true a lot of the time. I don't reckon you would know anything about me if I wasn't moderately hard-working.
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