A Quote by John Green

I think inspiration is always around; it's just a question of whether or not you're noticing it. — © John Green
I think inspiration is always around; it's just a question of whether or not you're noticing it.
The question I'm always asking myself is: are we masters or victims? Do we make history, or does history make us? Do we shape the world, or are we just shaped by it? The question of do we have agency in our lives or whether we are just passive victims of events is, I think, a great question, and one that I have always tried to ask.
I think fundamentally, the question of whether or not Christianity makes sense - whether it withstands scrutiny, whether the evidence supports it or hurts it - always comes down to the Resurrection.
To me, the question of inspiration is an exercise in hindsight. The truth is, inspiration is mysterious at the time. I don't think it's ever a rational process.
To me the question of inspiration is an exercise in hindsight. The truth is inspiration is mysterious at the time. I don't think it's ever a rational process.
When I think about whether I want to take a job, I don't just think about whether it's technically interesting, although I do consider that. I also consider the question of whether it's good for the world.
The programmers have another saying: 'The question of whether a machine can think is no more interesting than the question of whether a submarine can swim.'
The question of whether a computer can think is no more interesting than the question of whether a submarine can swim.
I think part of being Jewish is that innate desire to question things. Rabbis sit around all day and question the Torah. Giving yourself the room to question things, in a religion, just breeds thinking.
The question of whether computers can think is like the question of whether submarines can swim.
When I work on a book, I usually start with a question. And I don't sit around and go "I need to write a book. What's a good question?" It will be a question that's just clanging around in my head.
When I work on a book, I usually start with a question. And I don't sit around and go 'I need to write a book. What's a good question?' It will be a question that's just clanging around in my head. So for 'What It Is,' it was this idea of 'What is an image?'
When you think Tink, you should just think of me as that around-the-way girl - relatable and honest. Even in my lifestyle, my entire aura is real. I don't sugarcoat anything, whether I'm on stage or home in Chicago or just behind the scenes just chilling. I'm the same person you see on stage, always.
There is a fluency and an ease with which true mastery and expertise always expresses itself, whether it be in writing, whether it be in a mathematical proof, whether it be in a dance that you see on stage, really in every domain. But I think the question is, you know, where does that fluency and mastery come from?
The wrong question to ask of a myth is whether it is true or false. The right question is whether it is living or dead, whether it still speaks to our condition.
I'm really bad with answering questions. Usually, I don't even answer them. I try to find inspiration inside of the question. I think, and I jump from one beam of inspiration or energy to the next, as opposed to explaining the energy.
I walk around the world like a ghost, and sometimes I question whether I even exist. Whether I've ever existed at all.
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