A Quote by John Green
It's more impressive," I said out loud. "From a distance, I mean. You can't see the wear on things, you know? You can't see the rust or the weeds or the paint cracking. You see the place as someone once imagined it.
Related Quotes
I once tried standing up on my toes to see far out in the distance, but I found that I could see much farther by climbing to a high place.
I've been able to see some very impressive people that are in politics, and I've been able to see a lot more people that are much less impressive that I don't know if I'd want to spend my life working with. When I see sort of how the sausage is made, it's not very pretty.
So I said to myself-I'll paint what I see-what the flower is to me but I'll paint it big and they will be surprised into taking the time to look at it-I will make even busy New Yorkers take time to see what I see of flowers.
You cannot see what I see because you see what you see. You cannot know what I know because you know what you know. What I see and what I know cannot be added to what you see and what you know because they are not of the same kind. Neither can it replace what you see and what you know, because that would be to replace you yourself." "Hang on, can I write this down?" said Arthur, excitedly fumbling in his pocket for a pencil.
I see blindness more as an ability and sight more as a disability because there are some people with sight who tend to judge others by what they see on the outside but I don't see that. I don't see the skin color, the hair style or the clothing people wear; I only see that which is within a person.
There's the Draymond Green you see out on the floor. But that's not me. I mean, it is, but there's more. People see the fiery guy, the competitive guy, the trash talk and everything. But they don't see the love and compassion. They don't see the person. They don't see the real me, who values his friends and puts people first.
Once you have the light of God within you, you see things within yourself that you did not know existed. Things that were hidden in darkness are now in light. I see myself as able to forgive... to love... I even see talents in myself that I didn't see before.
I understand everything,” he said. “You understand nothing, but it really doesn’t matter, since what you mean is, you’re glad to see me, just as I’m glad to see you because no more loneliness.” “That’s what I mean,” said Fezzik.
Directing is kind of like acting through other people. You see moments and you see things and if you don't see the actors hit it, you paint in those little spaces and tell them what direction to go in.
"I see nobody on the road," said Alice. "I only wish I had such eyes," the King remarked in a fretful tone. "To be able to see Nobody! And at that distance too! Why, it's as much as I can do to see real people, by this light."
We [Notekillers] are in no way super-earnest about what we do and if you see us live, you see we are cracking up during songs and saying pretty ridiculous things in-between. We're having fun.
I see the ups and downs. I see the mistakes I've made. I see a funny person. I see a serious person. I see a diamond. I see the good times. I see the bad times. And I see knowledge of self. I see knowledge of self. I know who I am. When I look in the mirror, I see me.
You know, there was a recent poll which said that young people in the generation of the students here felt it was far more likely that they would see a UFO than that they would draw Social Security... It's very important you understand this. Once you understand this, you realize this is not an episode from the X Files, and you're not more likely to see a UFO if you do certain specific things.
People used to see things that disgusted them and say, 'I never want to see that again.' Now we've reached the point where we see things that are disturbing and revolting to us, but we want to see more and more of it.
Sometimes I see it and then paint it. Other times I paint it and then see it. Both are impure situations, and I prefer neither. At every point in nature there is something to see. My work contains similar possibilities for the changing focus of the eye.
We always see Aung San as a strong, tough woman. There are two stories running in parallel. You see the contradictions between the East and the West, and you see someone who does mundane and normal things - someone who's supposed to be a housewife - and then someone who's become important and imprisoned.
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