A Quote by John Green

One of the things I like about making stuff in the age of the Internet, is that people make stuff in response to it. You can see people respond to your work visually or musically or with writing.
I equate fame towards people who know your work, people who will see your work. But all that stuff, like with the Genies and stuff like that, it was so much fun. It's so much fun and it's nice when it comes, but that's not what it's all about.
My general advice for writers/comedians is, make stuff you like and are proud of. Put it in a place where people can see it, whether that's onstage or on the Internet or wherever. Just do the things that make you happy creatively, and then show them to people.
You know what's dope about social media, the Internet, and stuff in general? It's that you never really realized before how much love you get, and now you can see people around the country wearing your stuff or wearing your face.
Under fun's new administration, writing fiction becomes a way to go deep inside yourself and illuminate precisely the stuff you don't want to see or let anyone else see, and this stuff usually turns out (paradoxically) to be precisely the stuff all writers and readers share and respond to, feel.
Making a film is like making a mixtape. You're collecting all this stuff and putting your favorite stuff into it: you have actors that you like, characters that you're interested in, moments you want to explore, themes you want to deal with, music that you want to put in. It's a pastiche of all these things that deal with how you see the world. You're just trying to make a love letter, a gift.
All the work I do is personal, so the good stuff and the bad stuff that you see in there is all good stuff and bad stuff that I have, and part of the journey, for me, has been to embrace these things that I find embarrassing about myself: my stubbornness, my ego, my maudlin-ness - these things that I see myself do, and I go, 'Oh, David, stop that!'
The worst is when you read things on the Internet blogs, because people don't hold back. Sometimes you read wonderful things, but sometimes it's really awful stuff. Like on the Fashion Spot, for example, people always comment on you. They forget that we might read that stuff.
Making a film is like making a mixtape. You're collecting all this stuff and putting your favorite stuff into it: you have actors that you like, characters that you're interested in, moments you want to explore, themes you want to deal with, music that you want to put in. It's a pastiche of all these things that deal with how you see the world.
Most of my stuff hasn't gone viral. I have been successful on YouTube and I'm very proud of the stuff that I've done, but compared to the people who are actual internet stars and making a living off of it, my views are nothing.
A huge potential audience, great interaction with your readers, the ability to see what people like and what they don't, the ability to see how people respond to what you're doing in real-time - there's just tons of great stuff that you get by being online.
The sad thing in this day and age is kids have access to all sorts of horrible stuff on the Internet and they need to be taught the stuff about love and sex.
Working with a lot of people at the same time is a task. I really like making stuff and getting stuff done. One of the things I really liked about Facebook was that I could always move so quickly. I wrote the original application in, like, nine days at the end of January.
It's not about the stuff. The issue is how we use that stuff and how do we train people to use that stuff. Do we use that stuff to confront people who are protesting in a community? Do we use a sniper rifle to see closer in a crowd? That's where it breaks down.
You get to be a certain age and you start reading stuff about the age you are, and you think, what is wrong with these people who are writing these books? Do they not have necks?
I wasn't a class clown, I just found at an early age that I was able to make people laugh. So I mostly wrote funny stuff instead of writing what I was supposed to be writing.
I think there's a whole book being written about it in the UK. I don't know if you can get it here. It's about all the hidden messages and meetings in this and the fact that it is about women and the fact that this cave is full of blood and all this kind of stuff. And when I was making it, I didn't make it with that specifically in mind, but I always had it in the back of mind and I thought, 'Let's just throw it in there and see what people make of it.' And people seem to be making quite a lot of it. So I don't want to spell it out or say this, that or the other.
This site uses cookies to ensure you get the best experience. More info...
Got it!