A Quote by John Green

And as paralyzing and upsetting as all the never agains were, the final leaving felt perfect. Pure. The most distilled possible form of liberation. Everything that mattered except one lousy picture was in the trash, but it felt so great. I started jogging, wanting to put even more distance between myself and school. It is so hard to leave—until you leave. And then it is the easiest goddamned thing in the world.
And as paralyzing and upsetting as all the never agains were, the final leaving felt perfect. Pure. The most distilled possible form of liberation.
It is so hard to leave—until you leave. And then it is the easiest goddamned thing in the world.
When it is time for you to leave this school, leave your job, or even leave this earth, you make sure you have worked hard to make sure it mattered you were even here.
When I was younger, I definitely wish I had felt more... I just wish I had started actually putting out my music earlier because I didn't do it until I graduated high school and felt like I was leaving. That's mostly because I have never liked my voice a lot or been like a particularly great singer.
Well, I didn't really admit that I anywhere until my daughter started school and I knew I couldn't pull up and leave when I felt like it.
I've never had hard feelings with any of my teammates who decided to leave or felt like it was best to leave.
I never stopped believing in us and I never felt like I was wanting for anything, except for my father, and that was not going to be. I describe in the book [that] I don't think I ever felt young again in that way. I never felt I had my 15, 16, 17 kind of years the way I maybe should have. It's a huge dent in you that it's hard to knock out and make it all smooth again.
Reading a novel after reading semiotic theory was like jogging empty-handed after jogging with hand weights. What exquisite guilt she felt, wickedly enjoying narrative! Madeleine felt safe with a nineteenth century novel. There were going to be people in it. Something was going to happen to them in a place resembling the world. Then too there were lots of weddings in Wharton and Austen. There were all kinds of irresistible gloomy men.
I write the script; nobody sees it, not the people that put the money in the picture. I cast who I want, and make the film. That's why I've always felt the only thing standing between me and greatness, is me. There's no excuse for me not to be great except that I'm not.
Leaving feels good and pure only when you leave something important, something that mattered to you. Pulling life out by the roots. But you can't do that until your life has grown roots.
With 'SNL,' it's such an iconic institution. Throughout my 20s or maybe even in middle school or high school, it never felt like a real thing. It felt so distant, and I never imagined I could do that.
I started thinking about what it would be like to raise my family in my hometown. I looked at other teams, but I wasn't going to leave Miami for anywhere except Cleveland. The more time passed, the more it felt right. This is what makes me happy.
The perfect stillness of the night was thrilled by a more solemn silence. The darkness held a presence that was all the more felt because it was not seen. I could not any more have doubted that HE was there than that I was. Indeed, I felt myself to be, if possible, the less real of the two.
I felt a tremendous distance between myself and everything real.
I felt a little lost as a student. At Iowa, I felt as if I had gotten into this program that was going to save me, and so I moved myself across the country for grad school and yet still didn't have a home. It was upsetting. And I know that's a common feeling.
Any good movie is filled with secrets. If a director doesn't leave anything unsaid, it's a lousy picture. If a picture's unsaid, it's a lousy picture. If a picture is good, it's mysterious, with things unsaid.
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