A Quote by John Green
But I had to kill you, because the only other possible ending was us doing it, which I wasn't really emotionally ready to write about at ten.' 'Fair enough,' I say. 'But in the revision, I want to get some action.
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When people get tired they will say, "Enough is enough. If you want to kill us all, you can kill us all."
I really have no interest in delivering the iambic pentameter, I just want to kill myself. I don't mind other people doing it. I say that, but really I don't want to watch other people doing it. I get embarrassed.
With time some poems just fall by the wayside. Other poems get better over time with revision, revision, revision. My ladybug poem took 10 minutes to write but was 10 years in the making.
I am so secure in who I am. I really am! And I'm not conceited. I just think, 'Wow, okay, that's the life you want to live.' It wasn't about who he chose. I mean, I had moments, 'Am I not sexy enough? Am I not pretty enough? Am I not smart enough?' But in so many of those questions, I immediately stopped and said, 'No, don't start doing that.' Because you can get stuck in that cycle and you can carry on to other things.
When I sit down to write a book, I do not say to myself, 'I am going to produce a work of art.' I write it because there is some lie that I want to expose, some fact to which I want to draw attention, and my initial concern is to get a hearing.
When you are doing seven shows a week, you have to take care of yourself. There are some moments when you cannot allow yourself to emotionally reenact the issue you're talking about or the experience that you're remembering. I mean that would kill you, you know. To experience a thing, a trauma, every single night, it would probably kill you emotionally.
The writing is what gives me the joy, especially editing myself for the page, and getting something ready to show to the editors, and then to have a first draft and get it back and work to fix it, I love reworking, I love editing, love love love revision, revision, revision, revision.
I really enjoy doing the action stuff, but you have to be careful about who you say yes to with the action stuff 'cause some people want to do it but don't know how, and then it just becomes incredibly frustrating.
Some of us are taught to ask for help. Some of us don't feel comfortable asking for help. Some of us will get into trouble because we don't want to share things with adults - maybe because we're used to getting in trouble. I have two daughters, and they're very different from each other. One will tell me everything. The other barely tells me anything at all. Who do I worry about the most? I worry about the quiet one. But it's something I wish I had had when I was a child, that feeling of having someone I could ask for help.
People say, That which doesn't kill you makes you stronger. But they are wrong. What doesn't kill you doesn't kill you. That's all you get. Sometimes, you just have to hope that's enough.
Acting is doing, because everything you say or do is some kind of an action, some kind of a verb. You're always connected to the other person through some kind of action.
So for me the approach has become to go into a story not really sure of what I want to say, try to find some little seed crystal of interest, a sentence or an image or an idea, and as much as possible divest myself of any deep ideas about it. And then by this process of revision, mysteriously it starts to accrete meanings as you go.
We do not want to repeat ourselves [in Doctor Strange] or do what's been done before necessarily, and when you have a track record now you can either do that and keep, this seems to work and let's keep doing this - which some people accuse us of no matter what, because I don't think they pay attention, but really what we do is say, 'Okay, we have a studio that trusts us and let's us do what we want for the most part with the creative.
You know me and I have a pension. It provides some comfort but only some. It's still not enough to live off completely but it sure will help. But I'll say this. I try to forget about it and save like a maniac because I want the assurance of having other pots of money.
I write nearly every day. Some days I write for ten or eleven hours. Other days I might only write for three hours. It really depends on how fast the ideas are coming.
If we think about emotion this way - as outside-in, not inside out - it is possible to understand how some people can have an enormous amount of influence over others. Some of us, after all, are very good at expressiing emotions and feelings, which means that we are far more emotionally contagious than the rest of us.
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