A Quote by John Green

When surprised and excited and innocent Gus emerged from Grand Gesture Metaphorically Inclined Augustus, I literally could not resist. — © John Green
When surprised and excited and innocent Gus emerged from Grand Gesture Metaphorically Inclined Augustus, I literally could not resist.
Augustus: “You probably need some rest.” Me: “I’m okay.” Augustus: “Okay.” (Pause.) “What are you thinking about?” Me: “You.” Augustus: “What about me?” Me: “‘I do not know which to prefer, / The beauty of inflections / Or the beauty of innuendos, / The blackbird whistling / Or just after.’” Augustus: “God, you are sexy.” Me: “We could go to your room.” Augustus: “I’ve heard worse ideas.
A man who wouldn't cheat for a poke don't want one bad enough. --Augustus "Gus" McCrae
Augustus Waters was the great star-crossed love of my life. Ours was an epic love story, and I won’t be able to get more than a sentence into it without disappearing into a puddle of tears. Gus knew. Gus knows. I will not tell you our love story, because—like all real love stories—it will die with us, as it should.
Is a brazen and innocent confrontation with paternal authority an unbearably terrifying prospect to some? Are the consequences of a fathers anger and displeasure so catastrophic in the primal imagination that every semblance of it in the world both literally and metaphorically must be denounced in the strongest possible terms? It would seem so.
The idea that we could have a child who escapes from the confines of the adult world and goes somewhere where he has power, both literally and metaphorically, really appealed to me.
I was surprised. I'd always associated belief in heaven with, frankly, a kind of intellectual disengagement. But Gus wasn't dumb.
The grand jury process is secretive for a reason, to protect the safety and anonymity of all the grand jurors, witnesses, and innocent persons involved in the proceedings.
I feel very comfortable - literally and metaphorically - in my skin.
How are the eyes?' 'Oh, excellent,' he said. 'I mean, they're not in my head is the only problem.' 'Awesome, yeah,' Gus said. 'Not to one-up you or anything, but my body is made out of cancer.' 'So I heard,' Issac said, trying not to let it get to him. He fumbled toward Gus's hand and found only his thigh. 'I'm taken,' Gus said.
So how’s it going?” “Okay. Glad to be home, I guess. Gus told me you were in the ICU?” “Yeah,” I said. “Sucks,” he said. “I’m a lot better now,” I said. “I’m going to Amsterdam tomorrow with Gus.” “I know. I’m pretty well up-to-date on your life, because Gus never. Talks. About. Anything. Else.
I nodded. I liked Augustus Waters. I really, really, really liked him. I liked the way his story ended with someone else. I liked his voice. I liked that he took existentially fraught free throws. I liked that he was a tenured professor in the Department of Slightly Crooked Smiles with a dual appointment in the Department of Having a Voice That Made My Skin Feel More Like Skin. And I liked that he had two names. I’ve always liked people with two names, because you get to make up your mind what you call them: Gus or Augustus? Me, I was always just Hazel, univalent Hazel.
Aston Villa have literally metaphorically had their pants pulled down
There were five others before they got to him. He smiled a little when his turn came. His voice was low, smoky, and dead sexy. “My name is Augustus Waters,” he said. “I’m seventeen. I had a little touch of osteosarcoma a year and a half ago, but I’m just here today at Isaac’s request.” “And how are you feeling?” asked Patrick. “Oh, I’m grand.” Augustus Waters smiled with a corner of his mouth. “I’m on a roller coaster that only goes up, my friend.
The only person I really wanted to talk to about Augustus Water's death with was Augustus Waters.
For one thing, I want gesture-any kind of gesture, all kinds of gesture-gentle or brutal, joyous or tragic; the gesture of space soaring, sinking, streaming, whirling; the gestures of light flowing or spurting through color. I see everything as possessing or possessed by gesture. I've often thought of my paintings as having an axis around which everything revolves.
Literally as well as metaphorically, the man accustomed to inverting lenses has undergone a revolutionary transformation of vision.
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