A Quote by John Green

I was a bit of a Victorian Lady, fainting-wise. — © John Green
I was a bit of a Victorian Lady, fainting-wise.
I'm completely uninterested in the origins of Stonehenge. I don't care about the real story behind it or whether it should be saved or not. What I'm interested in is this: in the Victorian era, you could go there as an early cultural tourist and you were given a chisel to chip off a bit of the stones and take it with you. That's what you did in Victorian times.
I'm a larger lady, a plus size with a bit of belly fat, but I know what suits me, clothes-wise: blouses, tailored jackets and pencil skirts. One of my favourite outfits is jeans, riding boots and a fitted velvet jacket.
Our lady the Common Law is a very wise old lady though she still has something to learn in telling what she knows.
Weirdly, my nickname was Lady. I didn't get Stretch, or Stilts, or Spider Legs - I got Lady. I guess I was always a bit ladylike.
Snap. Lady with dog. Lady on sofa half-naked. Snap. Naked lady. Lady next to dresser. Lady at window. Snap. Lady on balcony sunlight. (On New Orleans photographer E. J. Bellocq)
Surprisingly, fainting sounded like a really good idea. If I fainted, I'd be unconscious, so I wouldn't have to see the impossible anymore, nor would I have to feel so dizzy and sick. Than maybe when I woke up, all of this would go away and I'd find it was all just a bad dream. The mist started to turn dark around the edges.....For the record: fainting sucks.
I used to be very fascinated by Victorian stuff, and my best-known books, the 'Mortal Engines' series, have a sort of retro, Victorian vibe, despite being set in the far future.
I used to be very fascinated by Victorian stuff, and my best known books, the Mortal Engines series, have a sort of retro, Victorian vibe, despite being set in the far future.
There aren't more lady songwriters for the same reason that there aren't more lady doctors or lady accountants or lady lawyers; not enough women have the time for careers.
The Victorian house and lots of other buildings weren't oppressive in themselves. They were often very airy and gingerbready and fancy. But they were associated with all this [Victorian] stuffiness.
I was once a graduate student in Victorian literature, and I believe as the Victorian novelists did, that a novel isn't simply a vehicle for private expression, but that it also exists for social examination. I firmly believe this.
Lady, lady, never start Conversation toward your heart; Keep your pretty words serene; Never murmur what you mean. Show yourself, by word and look, Swift and shallow as a brook. Be as cool and quick to go As a drop of April snow; Be as delicate and gay As a cherry flower in May. Lady, lady, never speak Of the tears that burn your cheek- She will never win him, whose Words had shown she feared to lose. Be you wise and never sad, You will get your lovely lad. Never serious be, nor true, And your wish will come to you- And if that makes you happy, kid, You'll be the first it ever did.
I like all sorts of things, not necessarily just Victorian. Even though I tend to read a lot of Victorian novels, I like a lot of contemporary stuff.
I love the Victorian era, and I always have, but I had a leg up on the writing because I was familiar with a lot of the science from the Victorian era. And that led to a massive interest in the science of this time of history.
The main reason why historians have skated over the relationship of Victorian PMs with the press is that they haven't been looking for it. It takes a lecturer in media studies such as Paul Brighton to point out that media management was part of the job of a Victorian prime minister.
The man Dickens, whom the world at large thought it knew, stood for all the Victorian virtues - probity, kindness, hard work, sympathy for the down-trodden, the sanctity of domestic life - even as his novels exposed the violence, hypocrisy, greed, and cruelty of the Victorian age.
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