A Quote by John Green
But that wasn't quite right. I called it a nine because I was saving my ten. And here it was, the great and terrible ten, slamming me again and again as I lay still and alone in my bed staring at the ceiling, the waves tossing me against the rocks then pulling me back out to sea so they could launch me again into the jagged face of the cliff, leaving me floating faceup on the water, undrowned.
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I'm reconnecting, I'm deepening, I'm opening, I'm releasing negativity and negative thoughts and all the limitations I carry around with me - again and again and again and again and again and again. And again! And that's the only thing that keeps me alive.
But what he didn't understand was that this dreamland was preferable, walking through this life half-sleeping, everything at arm's length or farther away. I understood those mermaids. I didn't care if they sang to me. All I wanted was to block out all the human voices as they called me name again and again, pulling me upward into light, to drown.
The empty blue sky of space says 'All this comes back to me, then goes again, and comes back again, then goes again, and I don't care, it still belongs to me
No, you don’t need to help me. But if you don’t, there’s nothing stopping me from calling you up again and again, now that I know you can’t kill me. Think of it as me leaning against your Heavenly doorbell… forever.
... I feel tired to death, paralyzed by this mysteriously wasted life's stubborn concentration on hopelessness and dissolution. It occurs to me that if I lie still like this for long enough, then I'll be dead when I finally wake again, and nothing can ever again torment me, beset me, or present me with evidence of my baseness and decay. That thought is the only one that can comfort me.
I've never written anything that I haven't wanted to write again. I want to, and still am, writing 'A Few Good Men' again. I didn't know what I was doing then, and I'm still trying to get it right. I would write 'The Social Network' again if they would let me, I'd write 'Moneyball' again. I would write 'The West Wing' again.
I'm still an artist who's searching, trying to evolve, an artist who - nine times out of ten - is dissatisfied with her work, and beats herself, and goes out there and tries again and again, and falls on her face and looks for new challenges.
O you, who in some pretty boat, Eager to listen, have been following Behind my ship, that singing sails along Turn back to look again upon your own shores; Tempt not the deep, lest unawares, In losing me, you yourselves might be lost. The sea I sail has never yet been passed; Minerva breathes, and pilots me Apollo, And Muses nine point out to me the Bears. You other few who have neck uplifted Betimes to the bread of angels upon Which one lives and does not grow sated, Well may you launch your vessel Upon the deep sea.
I was wholly at peace, at ease and at rest, so that there was nothing upon earth which could have afflicted me. This lasted for a time, and then I was changed ... I felt there was no ease or comfort for me except faith, hope and love, and truly I felt very little of this. And then presently God gave me again comfort and rest for my soul ... And then again I felt the pain, and then afterwards the delight and joy, now the one and now the other, again and again, I suppose about twenty times.
When I called Clinton a Wall Street puppet, they called me a right-wing extremist. When I said the same about George W. Bush, they called me an anti-war communist. Now that I'm against Obama for the same reasons, mainline conservatives embrace me. When I attack the next right-wing 'savior,' they're gonna call me a communist again.
Again and Again, however, we know the language of love, and the little churchyard with its lamenting names and the staggeringly secret abyss in which others find their end: again and again the two of us go out under the ancient trees, make our bed again and again between the flowers, face to face with the skies
As the years pass, I find that writers who were once central to me aren't anymore. I revered Yeats's poetry in college. I respect it now and am still ravished by certain lines, but I don't go back to him again and again. I do go back to Emily Dickinson again and again.
They can fatten me up. They can give me a full body polish, dress me up, and make me beautiful again. They can design dream weapons that come to life in my hands, but they will never again brainwash me into the necessity of using them. I no longer feel allegiance to these monsters called human beings, despite being one myself.
I know the rules. I've been living here longer than you have." He cracks a smile then. He nudges me back. "Hardly." "Born and raised. You're a transplant." I nudge him again, a little harder, and he laughs and tries to catch hold of my arm. I squirm away, giggling, and he stretches out to tickle my stomach. "Country bumpkin!" I squeal, as he grabs out and wrestles me back onto the blanket, laughing. "City slicker," he says, rolling over on top of me, and then kisses me. Everything dissolves: heat, explosions of color, floating.
I thought of you and how you love this beauty, And walking up the long beach all alone I heard the waves breaking in measured thunder As you and I once heard their monotone. Around me were the echoing dunes, beyond me The cold and sparkling silver of the sea -- We two will pass through death and ages lengthen Before you hear that sound again with me.
I felt my faith was on again off again until I met Paula White, who saw that the Lord had other plans; there was a weightiness to my spirit. She gave me the news that God loved me and wanted his son back. She spoke to the king in me and gave me new hope I could get right with God. The God I had hungered for; the Father I had been missing.
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