A Quote by John Green

As I recall, you promised to CALL when you finished the book, not text. — © John Green
As I recall, you promised to CALL when you finished the book, not text.
Even after the text is written, there are a tremendous number of stages along the way to the finished book. If a publisher cares about the finished product, none of them will be omitted.
My goal is to create a book where the entire book-text, pictures, shape of book-work together to create the theme. The placement of images and text on the page is crucial for me.
When I was ten, my mother told me to write down my feelings. I eventually started writing a book. I wish I'd kept the handwritten text. I recall some of the story, but it was a start into the world of writing.
I never spent less than two years on the text of one of my picture books, even though each of them is approximately 380 words long. Only when the text is finished ... do I begin the pictures.
As soon as I finished the first book, I wrote a second, which I hope to sell this year, and I have just about finished the third book in the series. Two more are already outlined. I'm in this for the long haul.
If I give a book as a gift, it is invariably a children's book with beautiful artwork and a simple text. I adore the feel of them, the care taken in the artwork, and the high visual stimulation that sets off the simple but often powerful message the text conveys.
Hillary Clinton has finished writing her book where she says her marriage couldn't be stronger, and Bill just finished his book titled 'Chicks I Nailed While Hillary was Writing Her Book.'
With Orff it is text, text, text - the music always subordinate. Not so with me. In 'Magnificat,' the text is important, but in some places I'm writing just music and not caring about text. Sometimes I'm using extremely complicated polyphony where the text is completely buried. So no, I am not another Orff, and I'm not primitive.
The inspiration is all in the script, in the text. So whatever it is, either it is a film or a book to be illustrated, anything. Everything you need to know is in the text. So the thing is trying to find right tone and voice, the right style, the right way of expressing the emotions in a story or in the location of the story, but it is all in the text.
You promised him vengeance as well.' 'I promised him justice.' 'Call it what you will. It still comes down to blood." - Tywin & Tyrion
It had to be a book that held my attention and kept me wanting to read it; when my husband finished 'The Road', I started it straight away and didn't put it down until I finished - it was such an achievement and relief to know that I could read, comprehend and, most importantly, enjoy a book!
Theatre is about the collective imagination... Everything I use on-stage is driven by the subject matter and what you might call the text - but that text can be anything, from a fragment of movement or music to something you see on a TV.
It's just like sex; when [a book is] finished, it's finished.
You watch Jeff Sessions testifying in front of Congress, Jesus, like watching an amnesiac: "I don't recall," "I don't remember," "I don't recall," "I don't remember," "I don't remember what I don't recall," "I recall what I don't remember." Amazing.
Whether you're Godard or Almodovar or Scorsese, it's text, text, text. Everything begins with the text, and this is a source of great anguish to me. So please let cinema get on with doing what it does best, which is expressing ideas in visual terms.
To say that an author is a reader or a reader an author, to see a book as a human being or a human being a book, to describe the world as text or a text as the world, are ways of naming the readers craft.
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