A Quote by John Green

In general-like not just in fiction but in life-it doesn't work out well when someone imagines someone else as a manic pixie dream girl or an Edward Cullen or anything other than a full, complex human being. That said, while I've tried to reflect that in my books, I don't think I've always succeeded, because I am always running up against my own insufficiencies and biases etc.
We live in a culture that does not encourage women to be epic heroes of their own Big Stories but the mothers and lovers and wives and mistresses and muses and personal assistants, the femme fatales and fantasies and manic pixie dream girls, in someone else's Big Story, and this someone else is usually a dude.
We also have a team that works really well together, that knows whose turn it is to pick up what someone else can't continue-the five of us work really well together and if someone says, "My plate is too full, I can't handle this," then someone else will always grab onto it.
Snow is like a manic pixie dream girl: fun and whimsical when you encounter it only through the barrier of a movie screen - but absolute misery to have to put up with in real life.
We live in a very self-absorbed age. I guess it's naturally human to think about my own problems as somehow greater than someone else's. I think when any one of us begins to think that way, it might be well to look beyond ourselves. Who am I to say that I am more handicapped, or suffering more, than someone else?
I think now that I've tried directing, I'm not interested in doing adaptations anymore. I could do an adaptation of someone else's work that I would write, but the idea of taking someone else's material entirely doesn't interest me. One of the things that I found really helpful, at least in my mind - and I've never discussed this with the actors or with the people I work with - is that being a neophyte in directing, I feel like I have a kind of authority simply because I'm the writer as well.
I like to be someone else. I like to be someone other than myself. I grew up watching movies and being a fan of what I'd seen portrayed in the movies, and I always wanted to do that one day.
I'd like to be remembered as a guy who tried - who tried to be part of his times, tried to help people communicate with one another, tried to find some decency in his own life, tried to extend himself as a human being. Someone who isn't complacent, who doesn't cop out.
I think the greatest imagination we can exercise is one that imagines how someone else feels. Because you know how you feel, but so often we attribute our own feelings on to someone else.
I think that most of us, anyway, read these stories that we know are not "true" because we're hungry for another kind of truth: the mythic truth about human nature in general, the particular truth about those life-communities that define our own identity, and the most specific truth of all: our own self-story. Fiction, because it is not about someone who lived in the real world, always has the possibility of being about oneself. --From the Introduction
Love in the real world doesn’t usually work out the way stories make us think it should. We don’t always get fairy-tale endings. People split up and move on. Just because you love someone doesn’t mean you can’t love someone else.” - Georgina to Brandy
If the only way you can do well is working more hours than someone else, you're going to lose out because there's always going to be someone who is going to work more.
You're trying to play someone [Edward Cullen] who's seen by a lot of people as being this perfect thing, but what is that? That doesn't really mean anything. You're trying to play an archetype on one hand and then a character on the other, so I felt insanely frustrated right up until the last shot, and then it ended.
When I do my own books, I take it as more of my own confessional, but when I illustrate for other people, it is intriguing because I feel like I shouldn't be stepping too much into the limelight. It's like playing the piano while someone else is singing.
That's life for you," said MacDunn. "Someone always waiting for someone who never comes home. Always someone loving some thing more than that thing loves them. And after a while you want to destroy whatever that thing is, so it can't hurt you no more.
That's what sometimes separates people who always run and always train and people who maybe move on in life and do something else. I think I'm a lot more likely to be someone like Joan Benoit (Samuelson), who keeps going forever, just because I actually really like it, as opposed to someone who stops and never runs again.
Dena had always been a loner. She did not feel connected to anything. Or anybody. She felt as if everybody else had come into the world with a set of instructions about how to live and someone had forgotten to give them to her. She had no clue what she was supposed to feel, so she had spent her life faking at being a human being, with no idea how other people felt. What was it like to really love someone? To really fit in or belong somewhere? She was quick, and a good mimic, so she learned at an early age to give the impression of a normal, happy girl, but inside she had always been lonely.
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