A Quote by John Green

I have a great affection for people who are intellectually engaged with the world, and who don't treat everything superficially. And I think, when people talk about nerdiness, what they're really talking about is smart people who who are trying to think hard about the world. And I don't think that's an insult, I think that's a great thing.
I know is that the response [for Difficult People ] has been really great. I think it's for smart people. I think it's for people who obviously care about pop culture or know about it, even if it's to a fault. I think it's for outsiders.
Think about all the great leaders. Think about Obama. Think about Clinton. Think about Nelson Mandela. Think about all the people that we know who are very successful in business, in politics and religion. What are they? They tell purposeful stories. They move people to action by aiming at the heart.
I want the look of a movie to be secondary. I really want people to be engaged in the story and the characters and not think about a style or think about me or think about the director of photography and what a great job he's doing. I never feel like that should be there.
I'm talking about the '60s really. People go interview these guys and ask them, "Do you still think music can change the world?" I mean, go talk to Graham Nash about that. What's he going to tell you? Ask David Crosby. These guys are still out there. They're playing their hits at Staples Center and those are really valuable songs. I'm talking about a couple of the guys who got knee-deep into really believing music had a great service beyond radio. I believe it did. And I think a lot of those songs are great.
I don't have an opinion about whether or not politics should appear more in fiction or not, generally. I think politics are a part of life, but a part of life that most people don't think about very much, most of the time. Or, people think about it superficially and they talk about it superficially because they don't know very much.
My great fear is that I'm the ultimate shallow person. I think about this kind of thing a lot, and about this phenomenon in our culture where people identify themselves with their interests. I've been trying not to think about it too much. It used to really upset me when people called me "witch house."
People think, for some reason, that I don't care about creativity and art, or helping people. So I would say that the biggest misconception is, when you think about me, when you think about my name, I don't want you to think about design or clothes or music. I want you to think about a person that's just trying to help people.
It's not necessarily a brave thing, people talk about what they think about. There's people out there who love to talk about politics or where they think the countries headed. I don't talk about that I talk about...things that are a little trippier.
The great thing about 2017 is that, because of the terrible political state that we're in and that America is in, young people are so vocal at the moment about so many issues, from racism to LGBT rights to beyond. I feel like - especially when I look at my fan-base - people are so vocal about their opinions and so vocal about spreading love. That's really important, and I think it's really amazing that people are talking about that. I just want that to keep happening.
Whatever happened to books? Suddenly everybody's talking about these 100-hour movies called 'Breaking Bad'. People are talking about TV the same way they used to talk about novels back in the 1980s. I like to think I hang out with some pretty smart people, but all they talk about is 'Breaking Bad.'
I think what I've tried to do is make the world a better place. I think that's what's really important. Nobody remembers who sold the most togas in Rome. In terms of legacy, people remember the great villains more than they remember the great heroes. So I think how you feel about yourself is the most significant question. What do you say about yourself when you put your head on the pillow? Are you really proud of what you're doing and the way you're doing it? I think it's really a fundamental question.
I think it's really easy for people to point out hypocrisy in people's lives. It's like yeah, I get on planes a lot, and I drank from a plastic water bottle today - you know what I'm saying? A lot of people would just be like, "Oh, you're a hypocrite. You live in an ecovillage for a month, and then you fly around the world to talk about a movie." Don't think that I don't think about those things! Don't think that that's not, like, a quandary in my life. It can be a pretty intense ethical dilemma. I think it's about figuring out, you know, navigating life.
I think 'Humans' is more about provoking the idea that there is a class of beings in society that we treat as less than... as subordinates; people who we treat badly and take for granted. Often they are the same people who work hard to keep the city going. We need to think about that.
I reject criticism because the last thing I wanted was to sit there and look at people talking. I think people are conditioned to think of documentaries now as talking heads. This movie about Valentino is not about that at all. It's about watching people in action. To the critics who wanted more talking heads, I send a dozen dead roses.
I think that sometimes people talk about disruption, and I've seen tons of startups come in as disruptors and then disappear. And I think what we need to do as an industry is think about a world that is dominated by mobile and software and not extrapolate from what was. And I think a lot of big companies tend to want to do that.
I think as a performer, it can be really great to stand on stage, especially when you have more time, but I do think about the specific people in the audience, how it's hard for them to get up and go to the bathroom, how they chose not to do other things that night and have turned off their phones and everything. So for that reason, I think it's necessary to mix it up and talk to the audience.
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