A Quote by John Green

All good American literature is always interested in people who are ambiguously heroic, like Gatsby. — © John Green
All good American literature is always interested in people who are ambiguously heroic, like Gatsby.
Personal identity seems like it's just such an American archetype, from Holly Golightly re-inventing herself in 'Breakfast At Tiffany's' to Jay Gatsby in 'The Great Gatsby.' It seems like the sort of archetypal American issue. If you're given the freedom to be anything, or be anyone, what do you do with it?
When I went to college, I majored in American literature, which was unusual then. But it meant that I was broadly exposed to nineteenth-century American literature. I became interested in the way that American writers used metaphoric language, starting with Emerson.
The best work of literature to represent the American Dream is 'The Great Gatsby' by F. Scott Fitzgerald. It shows us how dreaming can be tainted by reality, and that if you don't compromise, you may suffer.
I'm always interested in getting to know people, and that means vilified people as much as those celebrated. You find out that heroes aren't always so heroic, and villains have some bit of humanity in them.
I am fine with my books being categorized as African-American literature but I hope they are also considered Haitian-American literature and American literature. All of these things are part of who I am and what I write.
The Romanoffs are like the other side of 'The Great Gatsby.' 'Gatsby' is about the people who don't have the history but who want it. And 'The Romanoffs' is about the people who have it and don't know what to do with it.
It’s Fitzgerald’s thin-but-durable urge to affirm that finally makes Gatsby worthy of being our Great American Novel. Its soaring conclusion tells us that, even though Gatsby dies and the small and corrupt survive, his longing was nonetheless magnificent.
I do love my country. I don't think I'm particularly a good American. I don't know what makes a good American. Other than somebody who - I like people who let other people alone. I think that's a pretty good American. And I keep my hands to myself. So I'm an OK American.
I think everyone has some sort of connection to Gatsby as a character... he's created himself according to his own emotions and dreams and lifted himself by his bootstraps from a poor kid in the Midwest and created this image that is The Great Gatsby and it's a truly American story in that regard.
The designation is useful and necessary and sometimes limiting but it is only limiting to people who think, for example, that African-American literature couldn't possibly be something they could be interested in or relate to. They have limited imaginations, which is sad.
The Gatsby that I remember reading when I was 15 years old in junior high school was far different from the Gatsby I read as an adult.
It's like our go-to notion of innocent and secure mythology of American life. I was always amazed when people would come up to me and say that 'Far from Heaven' was exactly what it was like back then. [laughs] I was so disinterested in what it was 'really like' in the 1950s when I was putting the film together, I was only interested in what it was like in movies.
Greek myths are heroic, noble and tragic; but the American Dream is heroic, comical, and uplifting. Americans are a people in whom overweening ambition is rewarded, not punished. The Wright Brothers did not have their wings melt when they flew too high. Perhaps their wings were more soundly built than those of Icarus.
In my profession it isn’t a question of telling good literature from bad. Really good literature is seldom appreciated in its own day. The best authors die poor, the bad ones make money — it’s always been like that. What do I, an agent, get out of a literary genius who won’t be discovered for another hundred years? I’ll be dead myself then. Successful incompetents are what I need.
I think God isn't interested in intervening every time some little bad thing happens. God is interested in getting the message of good news and love and comfort and hope across through people like us, ordinary people, or extraordinary people like Bono.
A lot of people have asked me what's it like being an American player in Europe. 'Do you have to earn more respect because you're American?' But I don't think it's like that at all. I think if you're good, you're good. They don't care where you're from or anything like that.
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