A Quote by John Gregory Dunne

Writing is manual labor of the mind - like laying pipe. — © John Gregory Dunne
Writing is manual labor of the mind - like laying pipe.
Writing is manual labor of the mind: a job, like laying pipe.
I grew up having to do manual labor because people always told me that I was an ugly girl. I've never had the permission to be myself except for when I'm doing manual labor. Because in manual labor, it's about, 'Can you pick this up, can you move this here,' and I could.
Writing poetry is the hard manual labor of the imagination.
Writing isn't manual labor. Nor is it emptying the dishwasher or paying bills. It's work, sure, but sometimes it should be fun.
I like painting, I think it's relaxing. I also like designing; I don't really like the manual labor, to be honest.
Physical labor, manual labor - if you can stay close to those folks, there's always plenty to write about, 'cause their issues are real issues.
I like manual labor. Whenever I've got waterlogged with study, I've taken a spell of it and found it spiritually invigorating.
I played upright bass. I wanted to write great tunes, play the bass, be a band leader, and smoke a big funny pipe like Charlie Mingus. So I went out and bought the pipe when I was around 18 or 19 years old. You know even women smoke a pipe in Glasgow. I worked with Carla Bley and she smoked a pipe, which I find fascinating.
I found all my reading and writing informed my music in subtle ways. Ravedeath came out of studying the pipe organ, going to New Jersey - the world's loudest and biggest pipe organ.
I knew that manual labor wasn't the career for me.
The famous pipe. How people reproached me for it! And yet, could you stuff my pipe? No, it's just a representation, is it not? So if I had written on my picture “This is a pipe”, I'd have been lying!
Sage,” Adrian declared. “These hands don’t do manual labor.
I thought Manual Labor was a Mexican golf pro.
Any manual labor I've done was purely by mistake.
By TV standards - I'm not comparing it to manual labor by any means - by TV comedy standards, it is the hardest job I will ever, ever have. There is nothing that could be harder. I mean, when you combine the amount of writing that has to be done - sharp writing - with the fact that you then take it to the street and improvise with both celebrities who have no idea what's going to happen and real people who are not actors or comedians who don't even know I'm about to talk to them... It's lightning in a bottle every time.
There are moments when art attains almost to the dignity of manual labor.
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