A Quote by John Grisham

There are few writers who, if they publish anything, I am going to buy it: Ian McEwan, Scott Turow, Pat Conroy - he was a buddy of mine and I always read his stuff. Also: Harlan Coben, Elmore Leonard, John Le Carre, but he's pushing ninety.
A self-confessed fan of Harlan Coben, I find it difficult to not read a new Harlan Coben novel the week it comes out.
I will read anything by Laura Hillenbrand, Walter Isaacson, Barbara Kingsolver, John le Carre, John Grisham, Hilary Mantel, Toni Morrison, Anna Quindlen and Alice Walker.
I'm a big fan of Elmore Leonard, and I've read Ian Rankin, Christopher Brookmyre and so on. But I'd never read a crime novel that made me feel emotional at the end.
Of John Le Carre's books, I've only read 'The Spy Who Came In From The Cold,' and I haven't read anything by Graham Greene, but I've heard a great deal about how 'Your Republic Is Calling You' reminded English readers of those two writers. I don't really have any particular interest in Cold War spy novels.
I'm about to read Scott Turow's 'Innocent.' I've been hungry for this book since he first told me it was in the works. I'm a serious Turow fan.
I love Elmore Leonard. To me, True Romance is basically like an Elmore Leonard movie.
I am indeed a fan of John le Carre's novels.
I confess to loving a good murder mystery - anything by Scott Turow or John Grisham. Maybe it's a holdover from my days as a criminal prosecutor in Seattle.
In crime fiction, I cut my teeth on early Robert Parker, Elmore Leonard, John D. MacDonald, and Alan Furst. I always loved the writing of Hemingway and Faulkner. Cormac McCarthy's 'Border Trilogy' has been a huge influence; I think I read those novels four times.
For John le Carre, it was always who's betraying who: the hall-of-mirrors kind of thing. When you go back to the '30s, it's a case of good vs. evil, and no kidding. When I have a hero who believes France and Britain are on the right side, a reader is not going to question that.
When it comes to writers, I'm a huge fan of Ian McEwan. I've never taken a writing course, but reading and deconstructing his novels has been as good a lesson as any.
There's a blockbuster side to Knopf, whether it's P. D. James or John le Carre or our best-selling books. We try to sell our writers as aggressively as those houses regarded as commercial with a capital C.
For pleasure, I'll read military sf, or Elmore Leonard capers, anything that's fast and fun. Otherwise, I mostly pick at books, without any clear focus.
When you translate the American writers who are best with dialogue into German - someone like Elmore Leonard, or Tom Wolfe, who's also quite good with dialogue. It's very hard to translate them well.
I think John le Carre is, at 77, the greatest living writer alive. He is a master craftsman.
John le Carre's 'The Night Manager' is a relentlessly exhilarating thriller with profound emotional depths.
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