A Quote by John Grisham

I seriously doubt I would ever have written the first story had I not been a lawyer. I never dreamed of being a writer. I wrote only after witnessing a trial. — © John Grisham
I seriously doubt I would ever have written the first story had I not been a lawyer. I never dreamed of being a writer. I wrote only after witnessing a trial.
I think I would have been a writer, anyhow, in the sense of having written a story every now and then, or continued writing poetry. But it was the war experience and the two novels I wrote about Vietnam that really got me started as a professional writer.
I view myself primarily as a trial lawyer who happens to be writing, as opposed to a writer who happens to be a trial lawyer, so the audience is like a jury to me.
With my two brothers, Jean-Marie and Joel, I wrote a two-page story and wanted to make some kind of movie. We met a French production company, called Why Not?, and the first name we put on the list was Ken Loach. It was a dream for all of us. So, we tried and we met Ken and Paul Laverty, his writer, and they read the two pages and were inspired by that to do something. Paul had the freedom to do his own story - and he wrote his own story, which is better than the one we'd written.
I have known I wanted to be a writer since I was seven-years-old. Seriously. In the second grade I wrote a 21-page story and handed it in to my teacher. She told my mother I was going to be a writer. Since then, I always kept a journal and wrote poetry, plays, stories.
Tarjei Vesaas has written the best Norwegian novel ever, 'The Birds' - it is absolutely wonderful: the prose is so simple and so subtle, and the story is so moving that it would have been counted amongst the great classics from the last century if it had been written in one of the major languages.
I'm not better than other politicians, but I'm different because I got into the game much later in life, after I had raised a family, after I had written a book, after I had been a successful lawyer. It's different when you get into this business after you've led a full life. I don't want to be a big man. I know who I am.
I've just always written, and always considered myself a writer. I wrote my first story when I was five. There was nothing else I wanted to do or be.
I've always known when I start a story what the last line is. It's always been the case, since the first story I ever wrote. I don't know how it's going to get there, but I seem to need the destination. I need to know where I end up. It never changes, ever.
Everyone always asks, was he mad at you for writing the book? and I have to say, Yes, yes, he was. He still is. It is one of the most fascinating things to me about the whole episode: he cheated on me, and then got to behave as if he was the one who had been wronged because I wrote about it! I mean, it's not as if I wasn't a writer. It's not as if I hadn't often written about myself. I'd even written about him. What did he think was going to happen? That I would take a vow of silence for the first time in my life? "
I had written a story. I wrote the story out of some desperation, really, and I didn't know I was writing a story, and it took me years. And when I finished, a friend of mine had the idea that the story should be read as a monologue in a theater.
The minute you read something and you can't understand it, you can be sure it was written by a lawyer. Then, if you give it to another lawyer to read and he don't know just what it means, then you can be sure it was drawn up by a lawyer. If it's in a few words and is plain, and understandable only one way, it was written by a non-lawyer.
Once, I thought I had a novel, and it turned out it was only a short story. I wrote about 800 pages, but it ended up being a short story. And if it ever happens to me again, I Will Go Insane.
... every writer I had ever known wrote his best work when he had his back up against the wall and thought he would never write another word.
My last point about getting started as a writer: do something first, good or bad, successful or not, and write it up before approaching an editor. The best introduction to an editor is your own written work, published or not. I traveled across Siberia on my own money before ever approaching an editor; I wrote my first book, Siberian Dawn, without knowing a single editor, with no idea of how to get it published. I had to risk my life on the Congo before selling my first magazine story. If the rebel spirit dwells within you, you won't wait for an invitation, you'll invade and take no hostages.
I always kind of dreamed locally - I never really ever dream that I would be south of the border; I dreamed about being a theatre star in Toronto, and maybe I'd do Stratford and regional stuff. I always thought it would be a slow growth.
I've been many kinds of writers in my career: novelist; tele-playwright; short story writer. As a high-school student, I wrote amateur pieces for fanzines, and I've written for Hollywood.
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