A Quote by John Grisham

I love piecing together intricate thoughts that people find compulsively readable and they can't put down. — © John Grisham
I love piecing together intricate thoughts that people find compulsively readable and they can't put down.
I always loved digging away at the story, trying to find out things that people don't want you to find out and piecing it all together. I love the treasure hunt aspect of it, the thrill of the chase.
I did get tired of hearing that criticism years ago. That is not a compliment. Being labeled a "beach read" is a put-down. So, I did deliberately set out to write a book, Camino Island, that would be very entertaining and compulsively readable and we published it on June 6 in time for summer vacation, hoping that people would buy it and take it to the beach.
Great books are readable anyway. Dickens is readable. Jane Austen is readable. John Updike's readable. Hawthorne's readable. It's a meaningless term. You have to go the very extremes of literature, like Joyce's "Finnegan's Wake," before you get a literary work that literally unreadable.
The compulsively readable events of my life occurred mainly in infancy, and it's been pretty humdrum ever since.
You know what I find amazing is within Christianity it is not uncommon to find [married] people who don't have sexual intimacy, don't have emotional intimacy, don't have spiritual intimacy, don't pray together, don't do their life together, don't put their schedules together, don't put their budgets together, but they don't get divorced. So they can pat themselves on the back and say, 'We're good Christians.' They're divorced in everything but the paperwork.
Long Gone is the type of book that should come with a warning. It’s a compulsively readable, highly addictive story. The ending will leave you breathless.
I'm still undisciplined in the fact that I'm not writing anything down. I just get these lines and start piecing it together and then going back.
Carver's best book yet! FROM A CHANGELING STAR combines deft characterization and fascinating extrapolation into a complex, compulsively readable thriller. I wish all science fiction novels could be this good.
I liked teaching Henry James. When you look down at a Henry James novel from a helicopter height, you find an intricate spider web that all clings together.
I love facts and figures. It's like following a detective story, piecing together what's going on in the economy.
I like... piecing things together because it gives you a product that you would never have come up with just sitting down and writing on a blank slate.
We all record together. We do it live; then, after that, we do overdubs, if we need to, to repair stuff. Usually when we do stuff, we have to make sure we get the bass and drums down, and by doing it live, you're actually playing the song. You're not piecing together a song.
Producing is very much like running a business, where you find the project, you find the different people involved, you put the elements together, and you make sure they all work together well.
The Restless Anthropologist is a rich, powerful, and compulsively readable collection of essays by anthropologists who look back at the multiple relationships between their serial fieldwork experiences and their lives. Illustrating the dense interweaving of the personal and the professional that is the hallmark of anthropology as a vocation, these essays are at once affectively deep reflections, and clear-eyed assessments, of lives often lived 'between here and there.' Alma Gottlieb's idea to stimulate these articles and bring together this collection was inspired.
Looking in detail at human anatomy, I'm always left with two practically irreconcilable thoughts: our bodies are wonderful, intricate masterpieces; and then - they are cobbled-together, rag-bag, sometimes clunking machines.
I believe that with the advent of acid, we discovered a new way to think, and it has to do with piecing together new thoughts in your mind. Why is it that people think it's so evil ? What is it about it that scares people so deeply, even the guy that invented it, what is it ? Because they're afraid that there's more to reality than they have confronted. That there are doors that they're afraid to go in, and they don't want us to go in there either, because if we go in we might learn something that they don't know. And that makes us a little out of their control.
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